Tag Archives: books

children’s books and control

There’s a surprisingly intriguing exchange in a recent Bookworm program, where Michael Silverblatt interviews Françoise Mouly about her new line of children’s books, a spinoff of the Little Lit books she’s been putting out with Art Spiegelman. Not surprisingly, Mouly ran into resistance from established publishing houses when trying to put out the sort of books she was interested in; she took matters into her own hands, and started her own publishing house, Toon Books. In the interview, Silverblatt asks her about the psychology behind children’s book, a subject she’s thought about in detail:

Françoise Mouly vs Michael Silverblatt (excerpt) – Bookworm

FRANÇOISE MOULY: We’re being told certainly when we move around in the world of children’s book publishing that, you know, kids are into fantasy and you have to stimulate the imagination. And actually when I was doing this I learned so much that educators and teachers and attentive parents know: the opposite is true. Kids live in the world, and what they want, and certainly what they want from their books, they want order. And they want a way of naming things. And they want to be able to organize what is perceived as this chaotic series of sensory input into something that makes sense.

MICHAEL SILVERBLATT: In at least two of the books, and many children’s books besides, I recognize that craving for order is matched by the threat of chaos. What would happen if the child had its own way, or what would happen if chaos, say in the form of The Cat in the Hat, were to visit and gain access when the sources of order, the parents, are not at home. And so in another in the first series of books, Otto’s Orange Day, Otto gets only one wish from a genie, and Otto’s favorite color is orange. And so everything turns orange, and the story is – you see, I didn’t realize this before – implicitly about what would happen if the child were to get his own way in everything. It’s very, in its way, secretly authoritarian . . .

(The program can be listened to in full here.) The issue of control that Mouly brings up is interesting to me: it seems intuitively correct that children want a sense of order and control over the world in books. I’m curious what happens if we look at adults as well as children, especially in a world in which the book is being radically reshaped. Are we reticent to accept new forms because we still need this sense of control? A book on a computer screen is profoundly ambiguous: we have no sense of how long it might be, or where its boundaries are when it contains hyperlinks. We can’t control an electronic book in the same way that we could control a book in our hands when we were children. A question, then, which isn’t meant as rhetorical: is it childish to still want to do so?

the long tale: another book metadata app

More fun with book metadata. Hot on the heels of Bkkeepr comes Booklert, an app that lets you keep track of the Amazon rank of your (or anyone else’s) book. Writer, thinker and social media maven Russell Davies speculated that he’d love to have such a thing for keeping track of his book. No sooner was this said than MCQN had built it; so far it has few users, but fairly well-connected ones.
Reading MCQN’s explanation I get a picture of Booklert as a time-saving tool for hypercompetitive and stat-obsessed writers, or possibly as a kind of masochistic entertainment for publishers morbidly addicted to seeing their industry flounder. Then perhaps I’m being uncharitable: assuming you accept the (deeply dodgy) premise that the only meaningful book sales are those conducted through Amazon, Booklert – or something similar – could be used to create personalized bestseller lists, adding a layer of market data to the work of trusted reviewers and curators. I’d be interested to find out which were the top-selling titles in the rest of the Institute’s personal favourites list; I’d also be interested to find out what effect a few weeks’ endorsement by a high-flying member of the digerati might have on a handful of books.
But whether or not it is, as Davies asserts, “exactly the sort of thing a major book business could have thought of, should have thought of, but didn’t”, Booklert illustrates the extent to which, in the context of the Web, most of the key developments around the future of the book do not concern the form, purposes or delivery mechanism of the book. They concern metadata: how it is collected, who owns it, who can make use of it. Whether you’re talking DRM, digitization, archiving, folksonomies or feeds, the Web brings a tendency – because an ability – to see the world less in terms of static content than in terms of dynamic patterns, flows and aggregated masses of user-generated behavior. When thus measured as units in a dynamic system, what the books themselves actually contain is only of secondary importance. What does this say about the future of serious culture in the world of information visualization?

what we talk about when we talk about books

I spent the past weekend at the Fourth International Conference on the Book, hosted by Emerson College in Boston this year. I was there for a conversation with Sven Birkerts (author of The Gutenberg Elegies) which happened to kick off the conference. The two of us had been invited to discuss the future of the book, which is a great deal to talk about in an hour. While Sven was cast as the old curmudgeon and I was the Young Turk, I’m not sure that our positions are that dissimilar. We both value books highly, though I think my definition of book is a good deal broader than his. Instead of a single future of the book, I suggested that we need to be talking about futures of the book.
This conciliatory note inadvertently described the conference as a whole, the schedule of which can be inspected here. The subjects discussed wandered all over the place, from people trying to carry out studies on how well students learned with an ebook device to a frankly reactionary presentation of book art. Bob Young of Lulu proclaimed the value of print on demand for authors; Jason Epstein proclaimed the value of print on demand for publishers. Publishers wondered whether the recent rash of falsified memoirs would hurt sales. Educators talked about the need for DRM to encrypt online texts. There was a talk on using animals to deliver books which I’m very sorry that I missed. A Derridean examination of the paratexts of Don Quixote suggested out that for Cervantes, the idea of publishing a book – as opposed to writing one – suggested death, perhaps what I’d been trying to argue last week.
Everyone involved was dealing with books in some way or another; a spectrum could be drawn from those who were talking about the physical form of the book and those who were talking about content of the book entirely removed from the physical. These are two wildly different things, which made this a disorienting conference. The cumulative effect was something like if you decided to convene a conference on people and had a session with theologians arguing about the soul in one room while in another room a bunch of body builders tried to decide who was the most attractive. Similarly, everyone at the Conference on the Book had something to do with books; however, many people weren’t speaking the same language.
This isn’t necessarily their fault. One of the most apt presentations was by Catherine Zekri of the Université de Montréal, who attempted to decipher exactly what a “book” was from usage. She noted the confusion between the object of the book and its contents, and pointed out that this confusion carried over into the electronic realm, where “ebook” can either mean a device (like the Sony Reader) or the text that’s being read on the device. A thirty-minute session wasn’t nearly long enough to suss out the differences being talked about, and I’ll be interested to read her paper when it’s finally published.
As an experiment paralleling Zekri’s, here are three objects:

threebooks.png

There are certain similarities all of these objects share: they’re all made of paper and have a cover and pages. Some similarities are only shared by some of the objects: what’s the best way of grouping these? Three relationships seem possible. Objects 1 & 2 were bought containing text; object 3 was blank when bought, though I’ve written in it since. Objects 2 & 3 are bound by staples; object 1 is bound by glue. Objects 1 & 3 were written by a single person (Maurice Blanchot in the case of 1, myself in the case of 3); object 2 was written by a number people.
If we were to classify these objects, how would we do it? Linguistically, the decision has already been made: object 1 is a book, object 2 is a magazine, and object 3 is a notebook, which is, the Oxford English Dictionary says, “a small book with blank or ruled pages for writing notes in”. By the words we use to describe them, objects 1 & 3 are books. A magazine isn’t a book: it’s “a periodical publication containing articles by various writers” (the OED again). This is something seems intuitive: a magazine isn’t a book. It’s a magazine.
But why isn’t a magazine a book, especially if a notebook is a book? If you look again at the relationships I suggested between the three objects above, the shared attributes of the book and the magazine seem more logical and important than the attributes shared between the book and the notebook. Why don’t we think of a magazine as a book? To use the language of evolutionary biology, the word “book” seems to be a polyphyletic taxon, a group of descendants from a common ancestor that excludes other descendants from the same ancestor.
One answer might be that a single issue of a magazine isn’t complete; rather, it is part of a sequence in time, a sequence which can be called a magazine just as easily as a single issue can. I can say that I’ve read a book, which presumably means that I’ve read and understood every word in it. I can say the same thing about a particular issue of The Atlantic (“I read that magazine.”). I can’t say the same thing about the entire run of The Atlantic, which started long before I was born and continues today. A complete edition of The Atlantic might be closer to a library than a book. Or maybe the problem is time: the date on the cover foregrounds a magazine’s existence in time in a way that a book’s existence in time isn’t something we usually think about.
To expand this: I looked up these definitions in the online OED, where the dictionary exists as a database that can be queried. Is this a book? I have a single-volume OED at home with much the same content, though the online version has changed since the print edition: it points out that since 1983, the word “notebook” can also mean a portable computer. My copy of the OED at home is clearly a book; is the online edition, with its evolving content, also a book? (A stylistic question: we italicize the title of a book when we use it in text – do we italicize the title of a database?)
We’ve been calling things like Wikipedia, which goes even further than the online OED in terms of its mutability over time, a “networked book”. But even with much simpler online projects, issues arise: take Gamer Theory, for example. If much the content of what appears on the Gamer Theory website appears in Harvard University Press’s version of the book, most people would agree that the online version is a book, or a draft of one. But what are the boundaries of this kind of book? Are the comments in the website part of the book? Is the forum part of the book? Are the spam comments that we deleted from the forum part of the book? This also has something to do with Bob’s post on Monday, where he wondered how sharply defined the authorial voice of a book needs to be to make it worthwhile as a book.
What we have here is a language problem: the forms that we can create are evolving faster than our language – and possibly our understanding – can keep up with them.

bookcrossing.com and the future of the book

crossing.jpg I came across an an interesting overview piece on the future of the book in Global Politician, an online magazine that largely focuses on reporting underreported global issue stories. The author of the piece, economist and political consultant Sam Vaknin, covers much of the terrain we usually cover here at the Institute, but he also make an interesting point about how the online book-swapping collective Bookcrossing has been turning paper books into “networked books” over the past four years. Vaknin writes:
Members of the BookCrossing.com community register their books in a central database, obtain a BCID (BookCrossing ID Number) and then give the book to someone, or simply leave it lying around to be found. The volume’s successive owners provide BookCrossing with their coordinates. This innocuous model subverts the legal concept of ownership and transforms the book from a passive, inert object into a catalyst of human interactions. In other words, it returns the book to its origins: a dialog-provoking time capsule.
I appreciate the fact that Vaknin draws attention to the ways in which books can be conceptually transformed by ventures such as BookCrossing even while they remain physically unchanged. Currently, there are only about half a million BookCrossing members, making the phenemenon somewhat less popular than podcasting, but given that most BookCrossing members are serious readers — and highly international — the movement is still noteworthy.