Category Archives: Online

google dystopia

Google as big brother: “Op-Art” by Randy Siegel from today’s NY Times.
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ubu, king again

It’s nice to see that UbuWeb, the great public web library of the avant garde, is back online after “a long summer of rebuilding.” At times when the web feels depressingly shallow, Ubu can be the perfect medecine. Among the many masterworks you will find is Samuel Beckett’s “Film” (1965), starring a very old Buster Keaton. It’s wonderful that anyone can watch this online (I’ve just spent half an hour in its thrall).

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Also worth checking out are /ubu Editions – handsomely designed electronic texts ranging across an interesting selection of poetry, prose and theatre, including Ron Silliman’s “The Chinese Notebook,” which Dan blogged about a couple weeks back. These, like everything else on Ubu, are free.

the big picture

Though a substantial portion of our reading now takes place online, we still chafe against the electronic page, in part because today’s screens are hostile to the eye, but also, I think, because we are waiting for something new – something beyond a shallow mimicry of print. Occasionally, however, you come across something that suggests a new possibility for what a page, or series of pages, can be when words move to the screen.
I came across such a thing today on CNET’s new site, which has a feature called “The Big Picture,” a dynamic graphical display that places articles at the center of a constellation, drawing connections to related pieces, themes, and company profiles.
CNET big picture.jpg
Click on another document in the cluster and the items re-arrange around a new center, and so on – ontologies are traced. But CNET’s feature does not go terribly far in illuminating the connections, or rather the different kinds of connections, between articles and ideas. They should consider degrees of relevance, proximity in time, or overlaps in classification. Combined with a tagging system, this could get interesting. As it stands, it doesn’t do much that a simple bullet list of related articles can’t already do admirably, albeit with fewer bells and whistles.
But this is pushing in an interesting direction, testing ways in which a web publication can organize and weave together content, shedding certain holdovers from print that are no longer useful in digital space. CNET should keep playing with this idea of an article ontology viewer – it could be refined into a legitimately useful tool.

hacking nature

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Slate is trying something new with its art criticism: a new “gallery” feature where each month an important artist will be discussed alongside a rich media presentation of their work.

…we’re hoping to emphasize exciting new video and digital art–the kind of art that is hard to reproduce in print magazines.

For their first subject, they don’t push the print envelope terribly far (just a simple slideshow), but they do draw attention to some stunning work by Canadian photographer Edward Burtynsky, who (happily for us New Yorkers) has shows coming this week to the Brooklyn Museum and the Charles Cowles Gallery in Manhattan. Burtynsky documents landscapes bearing the mark of extreme human exploitation – the infernal streams flowing from nickel mines, junked ocean liners rusting in chunks on the beach, abandoned quarries ripe with algae in their cubic trenches, and an arresting series from recent travels through China’s industrial belt.
These photographs carry startling information through the image-surplussed web. But Burtynsky disappoints in one vital, perhaps deciding, respect:

…his position on the moral and political implications of his work is studiously neutral. He doesn’t point fingers or call for change; instead, he accepts industry’s exploitation of the land as the inevitable result of modern progress. “We have extracted from the land from the moment we stood on two feet,” he said in an interview in the exhibition catalog. “The entire 20th century has been a revving up of this large consumptive engine. It’s not a question of whether we are going to stop consuming. It’s not going to happen…”

As someone who believes that struggling to prevent (or at least mitigate) global ecological disaster should be the transcending narrative of our times, I find Burtynsky’s detachment deeply depressing and self-defeating. His images glory in the sick beauty of these ravaged scenes, and the cultural consumers that will no doubt pay large sums for these photographs at his upcoming Chelsea show only compound the cynicism.

wikipedia compiles britannica errors

Whatever one’s hesitations concerning the accuracy and reliability of Wikipedia, one has to admire their panache. Wikipedia applies the de-bugging ethic of programming to the production of knowledge, and this page is a wonderful cultural document – biting the collective thumb at print snobbism.
(CNET blogs)

the future of the institute

lately i’ve been thinking about how the institute for the future of the book should be experimental in form as well as content – an organization whose work, when appropriate, is carried out in real time in a relatively public forum. one of the key themes of our first year has been the way a network adds value to an enterprise, whether that be a thought experiment, an attempt to create a collective memory, a curated archive of best practices, or a blog that gathers and processes the world around it. i sense we are feeling our way to new methods of organizing work and distributing the results, and i want to figure out ways to make that aspect of our effort more transparent, more available to the world. this probably calls for a reevaluation of (or a re-acquaintance with) our idea of what an institute actually is, or should be.
the university-based institute arose in the age of print. scholars gathering together to make headway in a particular area of inquiry wrote papers, edited journals, held symposia and printed books of the proceedings. if books are what humans have used to move big ideas around, institutes arose to focus attention on particular big ideas and to distribute the result of that attention, mostly via print. now, as the medium shifts from printed page to networked screen, the organization and methods of “institutes” will change as well.
how they will change is what we hope to find out, and in some small way, influence. so over the next year or so we’ll be trying out a variety of different approaches to presenting our work, and new ways of facilitating debate and discussion. hopefully, we’ll draw some of you in along the way.
here’s a first try. we’ve decided (see thinking out loud) to initiate a weekly discussion at the institute where we read a book (or article or….) and then have a no-holds discussion about it — hoping to at least begin to understand some of the first order questions about what we are doing and how it fits into our perspectives on society. mostly we’re hoping to get to a place where we are regularly asking these questions in our work (whether designing software, studying the web, holding a symposium, or encouraging new publishing projects), measuring technological developments against a sense of what kind of society we’d like to live in and how a particular technology might help or hinder our getting there.
the first discussion is focused on neil postman’s “Building a Bridge to the 18th Century.” following is the audio we recorded broken into annotated chapters. we would be interested in getting people’s feedback on both form and content. (jump to the discussion)

new york times and several philly papers cutting staff

“Times Company Announces 500 Job Cuts”
“Philly Newspapers Announce 100 Job Cuts”
From an internal email sent by Bill Keller (NY Times Executive Editor) breaking the bad news (leaked to Gawker):

I won’t pretend that it will be painless. Between the buyouts earlier this summer and the demands placed on us by the IHT and the Website — not to mention the heroic commitment we’ve made to covering the aftermath of Katrina – we don’t have a lot of slack. Like the rest of you, I found the recent spate of retirement parties more saddening than celebratory, both for the obvious personal reasons and because they represented a sapping of our collective wisdom and experience. Throughout these lean years you have worked your hearts out to perform our daily miracle, and I wish I could tell you relief was in sight.

Bob Cauthorn comments on Rebuilding Media about newspapers on the precipice:

The pro-industry spin will talk about combining web-site and print readers, which is disingenuous in exactly 1,465 ways. For example, does someone from Islamabad dipping in for one story on your web site have equal value as a seven-day-a- week local print subscriber?…
…The notion of platform shift — people moving from print to web just, you know, because — is a comfort to the media establishment as it suggests people still really, really, really love their product, they’re just selecting a different distribution mechanism.
Nonsense. The platform shift doctrine is a dangerous — and for some media companies, ultimately fatal — illusion that blinds the industry to necessary changes in the core product. Platform shift is the argument for the status quo: We don’t have to do anything different.

Speaking of not doing anything different, the Wall Street Journal ran this story about magazines experimenting with “digital editions”: “electronic versions of their publications that replicate every page of the print edition down to the table of contents and the ads.”
Cauthorn goes on about possibly breathing new life into print:

If newspapers fix their print products circulation will grow — change format, revive local coverage, alter the hierarchical approach to the news, open the ears of the newsrooms and get reporters back on the street where they belong. If you want to get really daring, re-imagine print newspapers as a three-day a week product rather than as a seven-day a week product.
As a practical matter, print newspapers only make money three days a week anyway. Imagine the interplay between a seven day a week digital product and a densely focused (and wildly profitable) three-day a week print product. Each doing different things. Each serving readers and advertisers in different ways.

The Guardian has just totally revamped its print identity, abandoning the broadsheet for the more petite Berliner format and adopting a slicker style. It’ll be worth watching whether this catches on. New packaging might make newspapers cuter, but not necessarily better.

the database of intentions

Interesting edition of Open Source last week on “Google Sociology” with David Weinberger and John Battelle, author of the just-published “The Search: How Google and Its Rivals Rewrote the Rules of Business and Transformed Our Culture”. Listen here.
Weinberger has some interesting things to say about Google (and the other search engines) as “publishers.” I have some thoughts on that too. More to come later.
Battelle has done a great deal of thinking on search from a variety of angles: the technology of search, the economics of search, and the more esoteric dimensions of a “search” culture. He touches briefly on this last point, laying out a construct that is probably treated more extensively in his book: the “database of intentions.” By this he means the archive, or “artifact,” of the world’s search queries. A picture of the collective consciousness formed by the questions everyone is asking. Even now, when logged in to Google, a history of all your search query strings is kept – your own database of intentions. The potential value of this database is still being determined, but obvious uses are targeted advertising, and more relevant search results based on analysis of search histories.
As regards the collective database of intentions, Battelle speculates that future advances in artificial intelligence will likely draw on this enormous crop of information about how humans think and seek.

uh oh

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It’s really happening. Next Monday, The New York Times will inaugurate its “Times Select” subscription service. NYTimes.com will remain free, with much of the usual content still available (including multimedia), but op-eds and columnists will be pay-only. Oh well, the Washington Post opinion page is better anyway. The 100-article-per-month archive access is slightly tempting though.
The Times is betting that significant numbers of readers will shell out, just like they do for a premium channel on cable. Can the Times be the HBO of web news? Casual reader poll: who’s thinking of paying?
(link: Letter From the Editor explaining the new service to readers)