Category Archives: ebook

the bible on dvd: another weird embodiment of the book on screen

The bible has long been a driver of innovation in book design, and this latest is no exception: an ad I saw today on TV for the complete King James Bible on DVD. Not a film, mind you, but an interactive edition of the old and new testaments built around a graphical rendering of an old bible open on a lectern that the reader, uh viewer, uh… reader controls. Each page is synched up to a full-text narration in the “crystal clear, mellow baritone” of Emmy-winning Bible reader Stephen Johnston, along with assorted other actors and dramatic sound effects bringing the stories to life.

There’s the ad to the right (though when I saw it on BET the family was black). You can also download an actual demo (Real format) here. It’s interesting to see the interactivity of the DVD used to mimic a physical book — even the package is designed to suggest the embossed leather of an old bible, opening up to the incongruous sight of a pair of shiny CDs. More than a few analogies could be drawn to the British Library’s manuscript-mimicking “Turning the Pages,” which Sally profiled here last week, though here the pages replace each other with much less fidelity to the real.
There’s no shortage of movie dramatizations aimed at making the bible more accessible to churchgoers and families in the age of TV and the net. What the makers of this DVD seem to have figured out is how to combine the couch potato ritual of television with the much older practice of group scriptural reading. Whether or not you’d prefer to read the bible in this way, with remote control in hand, you can’t deny that it keeps the focus on the text.
Last week, Jesse argued that it’s not technology that’s causing a decline in book-reading, but rather a lack of new technologies that make books readable in the new communications environment. He was talking about books online, but the DVD bible serves just as well to illustrate how a text (a text that, to say the least, is still in high demand) might be repurposed in the context of newer media.
Another great driver of innovation in DVDs: pornography. No other genre has made more creative use of the multiple camera views options that can be offered simulataneously on a single film in the DVD format (I don’t have to spell out what for). They say that necessity is the mother of invention, and what greater necessities than sex and god? You won’t necessarily find the world’s most elegant design, but it’s good to keep track of these uniquely high-demand areas as they are consistently ahead of the curve.

first sighting of sony ebook reader

this is a late addition to this post. i just realized that whatever the strengths and weaknesses of the Sony ebook reader, i think that most of the people writing about it, including me, have missed perhaps the most important aspect — the device has Sony’s name on it. correct me if i’m wrong, but this is the first time a major consumer electronics company has seen fit to put their name on a ebook reader in the US market. it’s been a long time coming.
Reuters posted this image by Rick Wilking. every post i’ve seen so far is pessimistic about sony’s chances. i’m doubtful myself, but will wait to see what kind of digital rights management they’ve installed. if it’s easy to take
SonyBookReader.jpg
things off my desktop to read later, including pdfs and web pages, and if the MP3 player feature is any good they might be able to carve out a niche which they can expand over time if they keep developing the concept. i do wish it were a bit more stylish . . .
here’s a link to ben’s excellent post ipod for text.

thinking about google books: tonight at 7 on radio open source

While visiting the Experimental Television Center in upstate New York this past weekend, Lisa found a wonderful relic in a used book shop in Owego, NY — a small, leatherbound volume from 1962 entitled “Computers,” which IBM used to give out as a complimentary item. An introductory note on the opening page reads:

The machines do not think — but they are one of the greatest aids to the men who do think ever invented! Calculations which would take men thousands of hours — sometimes thousands of years — to perform can be handled in moments, freeing scientists, technicians, engineers, businessmen, and strategists to think about using the results.

This echoes Vannevar Bush’s seminal 1945 essay on computing and networked knowledge, “As We May Think”, which more or less prefigured the internet, web search, and now, the migration of print libraries to the world wide web. Google Book Search opens up fantastic possibilities for research and accessibility, enabling readers to find in seconds what before might have taken them hours, days or weeks. Yet it also promises to transform the very way we conceive of books and libraries, shaking the foundations of major institutions. Will making books searchable online give us more time to think about the results of our research, or will it change the entire way we think? By putting whole books online do we begin the steady process of disintegrating the idea of the book as a bounded whole and not just a sequence of text in a massive database?
The debate thus far has focused too much on the legal ramifications — helped in part by a couple of high-profile lawsuits from authors and publishers — failing to take into consideration the larger cognitive, cultural and institutional questions. Those questions will hopefully be given ample air time tonight on Radio Open Source.
Tune in at 7pm ET on local public radio or stream live over the web. The show will also be available later in the week as a podcast.

hmmm… online word processing

Not quite sure what I think of this new web-based word processor, Writely. Cute Web 2.0ish name, “beta” to the hilt. It’s free and quite easy to get started. I guess it falls into that weird zone of transitional unease between desktop computing and the wide open web, where more and more of our identity and information resides. Some of the tech specifics: Writely saves documents in Word and (as of today) Open Office formats, outputs as RSS and to some blogging platforms (not ours), and can also be saved as a simple web page (here’s the Writely version of this post). A key feature is that Writely documents can be written and edited by multiple authors, like SubEthaEdit only totally net-based. It feels more or less like a disembodied text editor for a wiki.
I’m trying to think about what’s different about writing online. Movable Type, our blogging software, is essentially an ultra-stripped-down text editor — web-based — and it’s no fun to work in. That’s partly because the text field is about the size of a mail slot, but writing online can be annoying for other reasons, chief among them the fact that you have to be online to work, and second that you are susceptible to the chance mishaps of the browser (accidentally backing up and losing everything, it crashes, you forgot to pay Time Warner and they turn off the web etc.). But with a conventional word processor you’re vulnerable to the mishaps of the machine (hard drive dies and you didn’t back it up, it crashes and you didn’t save, coffee spills…). Writely saves everything automatically as you go, maintaining a revision history and tracking changes — a very nice feature.
They say this is the future of software, at least for the simple everyday kind of stuff: web-based tool suites and tons of online data storage. I guess it’s nice not having to be tied to one machine. Your work is just out there, waiting for you to log in. But then again, your work is just out there…

having browsed google print a bit more…

…I realize I was over-hasty in dismissing the recent additions made since book scanning resumed earlier this month. True, many of the fine wines in the cellar are there only for the tasting, but the vintage stuff can be drunk freely, and there are already some wonderful 19th century titles, at this point mostly from Harvard. The surest way to find them is to search by date, or by title and date. Specify a date range in advanced search or simply enter, for example, “date: 1890” and a wealth of fully accessible texts comes up, any of which can be linked to from a syllabus. An astonishing resource for teachers and students.
The conclusion: Google Print really is shaping up to be a library, that is, of the world pre-1923 — the current line of demarcation between copyright and the public domain. It’s a stark reminder of how over-extended copyright is. Here’s an 1899 english printing of The Mahabharata:
mahabharata.jpg
A charming detail found on the following page is this old Harvard library stamp that got scanned along with the rest:
mahabharata harvard stamp.jpg

ebr is back

ebr.jpg
ebr is back after a several month hiatus during which time it was overhauled. The site, published by AltX was among the first places where the “technorati meets the literati” and I always found it attractive for its emphasis on sustained analysis of digital artifacts and the occasional pop culture reference. The latest project, first person series, seems to answer a lot of what bob finds attractive in the blogs of juan cole and others. And although I’ve heard ebr called “too linear” (as compared to Vectors, USC’s e-journal) the interface goes a long way toward solving the problem of the scrolling feature of many sites/blogs which privilege what’s new. The interweaving threads with search capabilities seem quite hearty.

google print’s not-so-public domain

wealthy new york google.jpg Google’s first batch of public domain book scans is now online, representing a smattering of classics and curiosities from the collections of libraries participating in Google Print. Essentially snapshots of books, they’re not particularly comfortable to read, but they are keyword-searchable and, since no copyright applies, fully accessible.
The problem is, there really isn’t all that much there. Google’s gotten a lot of bad press for its supposedly cavalier attitude toward copyright, but spend a few minutes browsing Google Print and you’ll see just how publisher-centric the whole affair is. The idea of a text being in the public domain really doesn’t amount to much if you’re only talking about antique manuscripts, and these are the only books that they’ve made fully accessible. Daisy Miller‘s copyright expired long ago but, with the exception of Harvard’s illustrated 1892 copy, all the available scanned editions are owned by modern publishers and are therefore only snippeted. This is not an online library, it’s a marketing program. Google Print will undeniably have its uses, but we shouldn’t confuse it with a library.
(An interesting offering from the stacks of the New York Public Library is this mid-19th century biographic registry of the wealthy burghers of New York: “Capitalists whose wealth is estimated at one hundred thousand dollars and upwards…”)