Category Archives: the_networked_book

flight paths: a networked novel

I’d like to draw your attention to an exciting new project: Flight Paths, a networked novel in progress by Kate Pullinger and Chris Joseph, co-authors most recently of the lovely multimedia serial “Inanimate Alice.” The Institute is delighted to be a partner on this experiment (along with the Institute of Creative Technologies at De Montfort University and Arts Council England), which marks our first foray into fiction. A common thread with our past experiments is that this book will involve its readers in the writing process. The story begins:

“I have finished my weekly supermarket shop, stocking up on provisions for my three kids, my husband, our dog and our cat. I push the loaded trolley across the car park, battling to keep its wonky wheels on track. I pop open the boot of my car and then for some reason, I have no idea why, I look up, into the clear blue autumnal sky. And I see him. It takes me a long moment to figure out what I am looking at. He is falling from the sky. A dark mass, growing larger quickly. I let go of the trolley and am dimly aware that it is getting away from me but I can’t move, I am stuck there in the middle of the supermarket car park, watching, as he hurtles toward the earth. I have no idea how long it takes – a few seconds, an entire lifetime – but I stand there holding my breath as the city goes about its business around me until…
He crashes into the roof of my car.”
The car park of Sainsbury’s supermarket in Richmond, southwest London, lies directly beneath one of the main flight paths into Heathrow Airport. Over the last decade, on at least five separate occasions, the bodies of young men have fallen from the sky and landed on or near this car park. All these men were stowaways on flights from the Indian subcontinent who had believed that they could find a way into the cargo hold of an airplane by climbing up into the airplane wheel shaft. It is thought that none could have survived the journey, killed by either the tremendous heat generated by the airplane wheels on the runway, crushed when the landing gear retracts into the plane after take off, or frozen to death once the airplane reaches altitude.
‘Flight Paths’ seeks to explore what happens when lives collide – an airplane stowaway and the fictional suburban London housewife, quoted above. This project will tell their stories.
Through the fiction of these two lives, and the cross-connections and contradictions they represent, a larger story about the way we live today will emerge. The collision between the unknown young man, who will be both memorialised and brought back to life by the piece, and the London woman will provide the focus and force for a piece that will explore asylum, immigration, consumer culture, Islam and the West, as well as the seemingly mundane modern day reality of the supermarket car park itself. This young man’s death/plummet will become a flight, a testament to both his extreme bravery and the tragic symbolism of his chosen route to the West.

Here the authors explain the participatory element:

The initial goal of this project is to create a work of digital fiction, a ‘networked book’, created on and through the internet. The first stage of the project will include a web iteration with, at its heart, this blog, opening up the research process to the outside world, inviting discussion of the large array of issues the project touches on. As well as this, Chris Joseph and Kate Pullinger will create a series of multimedia elements that will illuminate various aspects of the story. This will allow us to invite and encourage user-generated content on this website and any associated sites; we would like to open the project up to allow other writers and artists to contribute texts – both multimedia and more traditional – as well as images, sounds, memories, ideas. At the same time, Kate Pullinger will be writing a print novel that will be a companion piece to the project overall.

We’re very curious/excited to see how this develops. Go explore the site, which is just a preliminary framework right now, and get involved. And please spread the word to other potential reader/paticipants. A chance to play a part in a new kind of story.

kindle maths 101

Chatting with someone from Random House’s digital division on the day of the Kindle release, I suggested that dramatic price cuts on e-editions -? in other words, finally acknowledging that digital copies aren’t worth as much (especially when they come corseted in DRM) as physical hard copies -? might be the crucial adjustment needed to at last blow open the digital book market. It seemed like a no-brainer to me that Amazon was charging way too much for its e-books (not to mention the Kindle itself). But upon closer inspection, it clearly doesn’t add up that way. Tim O’Reilly explains why:

…the idea that there’s sufficient unmet demand to justify radical price cuts is totally wrongheaded. Unlike music, which is quickly consumed (a song takes 3 to 4 minutes to listen to, and price elasticity does have an impact on whether you try a new song or listen to an old one again), many types of books require a substantial time commitment, and having more books available more cheaply doesn’t mean any more books read. Regular readers already often have huge piles of unread books, as we end up buying more than we have time for. Time, not price, is the limiting factor.

Even assuming the rosiest of scenarios, Kindle readers are going to be a subset of an already limited audience for books. Unless some hitherto untapped reader demographic comes out of the woodwork, gets excited about e-books, buys Kindles, and then significantly surpasses the average human capacity for book consumption, I fail to see how enough books could be sold to recoup costs and still keep prices low. And without lower prices, I don’t see a huge number of people going the Kindle route in the first place. And there’s the rub.
Even if you were to go as far as selling books like songs on iTunes at 99 cents a pop, it seems highly unlikely that people would be induced to buy a significantly greater number of books than they already are. There’s only so much a person can read. The iPod solved a problem for music listeners: carrying around all that music to play on your Disc or Walkman was a major pain. So a hard drive with earphones made a great deal of sense. It shouldn’t be assumed that readers have the same problem (spine-crushing textbook-stuffed backpacks notwithstanding). Do we really need an iPod for books?
UPDATE: Through subsequent discussion both here and off the blog, I’ve since come around 360 back to my original hunch. See comment.
We might, maybe (putting aside for the moment objections to the ultra-proprietary nature of the Kindle), if Amazon were to abandon the per copy idea altogether and go for a subscription model. (I’m just thinking out loud here -? tell me how you’d adjust this.) Let’s say 40 bucks a month for full online access to the entire Amazon digital library, along with every major newspaper, magazine and blog. You’d have the basic cable option: all books accessible and searchable in full, as well as popular feedback functions like reviews and Listmania. If you want to mark a book up, share notes with other readers, clip quotes, save an offline copy, you could go “premium” for a buck or two per title (not unlike the current Upgrade option, although cheaper). Certain blockbuster titles or fancy multimedia pieces (once the Kindle’s screen improves) might be premium access only -? like HBO or Showtime. Amazon could market other services such as book groups, networked classroom editions, book disaggregation for custom assembled print-on-demand editions or course packs.
This approach reconceives books as services, or channels, rather than as objects. The Kindle would be a gateway into a vast library that you can roam about freely, with access not only to books but to all the useful contextual material contributed by readers. Piracy isn’t a problem since the system is totally locked down and you can only access it on a Kindle through Amazon’s Whispernet. Revenues could be shared with publishers proportionately to traffic on individual titles. DRM and all the other insults that go hand in hand with trying to manage digital media like physical objects simply melt away.

* * * * *

On a related note, Nick Carr talks about how the Kindle, despite its many flaws, suggests a post-Web2.0 paradigm for hardware:

If the Kindle is flawed as a window onto literature, it offers a pretty clear view onto the future of appliances. It shows that we’re rapidly approaching the time when centrally stored and managed software and data are seamlessly integrated into consumer appliances – all sorts of appliances.
The problem with “Web 2.0,” as a concept, is that it constrains innovation by perpetuating the assumption that the web is accessed through computing devices, whether PCs or smartphones or game consoles. As broadband, storage, and computing get ever cheaper, that assumption will be rendered obsolete. The internet won’t be so much a destination as a feature, incorporated into all sorts of different goods in all sorts of different ways. The next great wave in internet innovation, in other words, won’t be about creating sites on the World Wide Web; it will be about figuring out creative ways to deploy the capabilities of the World Wide Computer through both traditional and new physical products, with, from the user’s point of view, “no computer or special software required.”

That the Kindle even suggests these ideas signals a major advance over its competitors -? the doomed Sony Reader and the parade of failed devices that came before. What Amazon ought to be shooting for, however, (and almost is) is not an iPod for reading -? a digital knapsack stuffed with individual e-books -? but rather an interface to a networked library.

sparkles from the wheel

Walt Whitman’s poem “Sparkles from the Wheel” beautifully captures the pleasure and exhilaration of watching work in progress:

1
WHERE the city’s ceaseless crowd moves on, the live-long day,
Withdrawn, I join a group of children watching – ?I pause aside with them.
By the curb, toward the edge of the flagging,
A knife-grinder works at his wheel, sharpening a great knife;
Bending over, he carefully holds it to the stone – ?by foot and knee,
With measur’d tread, he turns rapidly – ?As he presses with light but firm hand,
Forth issue, then, in copious golden jets,
Sparkles from the wheel.
2
The scene, and all its belongings – ?how they seize and affect me!
The sad, sharp-chinn’d old man, with worn clothes, and broad shoulder-band of leather;
Myself, effusing and fluid – ?a phantom curiously floating – ?now here absorb’d and arrested;
The group, (an unminded point, set in a vast surrounding;)
The attentive, quiet children – ?the loud, proud, restive base of the streets;
The low, hoarse purr of the whirling stone – ?the light-press’d blade,
Diffusing, dropping, sideways-darting, in tiny showers of gold,
Sparkles from the wheel.

I was reminded of this the other day while reading a brief report in Library Journal on Siva’s recent cross-blog argument with Michigan University Librarian Paul Courant about Google book digitization contracts. These sorts of exchanges are not new in themselves, but blogs have made it possible for them to occur much more spontaneously and, in Siva’s case, to put them visibly in the context of a larger intellectual project. It’s a nice snapshot of the sort of moment that can happen along the way when the writing process is made more transparent -? seeing an argument crystallize or a position get clarified. And there’s a special kind of pleasure and exhilaration that comes from reading this way, seeing Siva sharpening his knife -? or argument -? and the rhetorical sparks that fly off the screen. Here’s that Library Journal bit:

Discussion of Google Scan Plan Heats Up on Blogs:
Now this is why we love the Blogosphere. In launching his blog, University of Michigan’s (UM) dean of libraries Paul Courant recently offered a spirited defense of UM’s somewhat controversial scan plan with Google. That post drew quite a few comments, and a direct response from Siva Vaidhyanathan the author, blogger, and University of Virginia professor currently writing the Googlization of Everything online at the Institute for the Future of the Book; that of course drew a response from Courant. The result? A lively and illuminating dialog on Google’s book scanning efforts.

siva on kindle

Thoughtful comments from Siva Vaidhyanathan on the Kindle:

As far as the dream of textual connectivity and annotations — making books more “Webby” — we don’t need new devices to do that. Nor do we need different social processes. But we do need better copyright laws to facilitate such remixes and critical engagement.
So consider this $400 device from Amazon. Once you drop that cash, you still can’t get books for the $9 cost of writing, editing, and formating. You still pay close to the $30 physical cost that includes all the transportation, warehousing, taxes, returns, and shoplifting built into the price. You can only use Amazon to get texts, thus locking you into a service that might not be best or cheapest. You can only use Sprint to download texts or get Web information. You can’t transfer all you linking and annotating to another machine or network your work. If the DRM fails, you are out of luck. If the device fails, you might not be able to put your library on a new device.
All the highfallutin’ talk about a new way of reading leading to a new way of writing ignores some basic hard problems: the companies involved in this effort do not share goals. And they do not respect readers or writers.
I say we route around them and use these here devices — personal computers — to forge better reading and writing processes.

mckenzie wark on the situationists: this wednesday at columbia

If you’re in or around new york -? this promises to be a fascinating event. Plus Ken will be unveiling a new networked book project. Details further down.

50 Years of Recuperation: The Situationist International 1957-1972
The 2007 Buell Lecture, by McKenzie Wark
Buell Center for the Study of American Architecture
6.30-8.30PM Wednesday 3rd October 2007
Wood Auditorium, Avery Hall, Columbia University, New York
The Situationist International (1957-1972) bequeathed many key concepts to us, including psychogeography, the dérive, unitary urbanism, and of course the society of the spectacle. It also spawned at least one major work of critical and utopian architecture in Constant’s New Babylon. But rather than treat these as seductive historical curiosities, or as precursors to more “acceptable” notions, McKenzie Wark asks what might survive the recuperation of the Situationists and act as pointers to new practices. Rather than attempting to make an unbearable totality “sustainable,” perhaps we might pick up the thread of those who dared to negate this world as a whole and imagine it anew.
McKenzie will also unveil the website for his new ‘networked book’ version of his ongoing research on the Situationist International, under the working title of Totality for Kids. The website is designed by Chris France and features illustrations by Kevin C. Pyle.

the googlization of everything: a public writing begins

We’re very excited to announce that Siva’s new Google book site, produced and hosted by the Institute, is now live! In addition to being the seed of what will likely be a very important book, I’ll bet that over time this will become one of the best Google-focused blogs on the Web.
The Googlization of Everything: How One Company is Disrupting Culture, Commerce, and Community… and Why We Should Worry.
The book:

…a critical interpretation of the actions and intentions behind the cultural behemoth that is Google, Inc. The book will answer three key questions: What does the world look like through the lens of Google?; How is Google’s ubiquity affecting the production and dissemination of knowledge?; and how has the corporation altered the rules and practices that govern other companies, institutions, and states?

The experiment:

I have never tried to write a book this way. Few have. Writing has been a lonely, selfish pursuit for my so far. I tend to wall myself off from the world (and my loved ones) for days at a time in fits and spurts when I get into a writing groove. I don’t shave. I order pizza. I grumble. I ignore emails from my mother.
I tend to comb through and revise every sentence five or six times (although I am not sure that actually shows up in the quality of my prose). Only when I am sure that I have not embarrassed myself (or when the editor calls to threaten me with a cancelled contract – whichever comes first) do I show anyone what I have written. Now, this is not an uncommon process. Closed composition is the default among writers. We go to great lengths to develop trusted networks of readers and other writers with whom we can workshop – or as I prefer to call it because it’s what the jazz musicians do, woodshed our work.
Well, I am going to do my best to woodshed in public. As I compose bits and pieces of work, I will post them here. They might be very brief bits. They might never make it into the manuscript. But they will be up here for you to rip up or smooth over.
That’s the thing. For a number of years now I have made my bones in the intellectual world trumpeting the virtues of openness and the values of connectivity. I was an early proponent of applying “open source” models to scholarship, journalism, and lots of other things.
And, more to the point: One of my key concerns with Google is that it is a black box. Something that means so much to us reveals so little of itself.
So I would be a hypocrite if I wrote this book any other way. This book will not be a black box.

commentpress classics fantasy football

Following last week’s discussions on a hypothetical digital Ulysses (1, 2), numerous ideas for electronic dream editions have been coming out of the woodwork, including this proposal from our good friend John Holbo of The Valve. John’s agreed to let us repost it here – ?I think this could be a terrific CommentPress collab.

Here’s an idea for you: Ulysses, as I am sure you know, may be a problematic text for copyright reasons (sad to say, but it’s true.)
I have a counter-proposal: Frankenstein. (Really a supplementary proposal. I’m not counter the other thing, by any means.)
Advantage: two editions, 1818, 1831. Substantially different. So there is some notation to be done.
Advantage: I’ve already painstakingly made a clean electronic edition of the 1831 edition by taking the substantially screwed up Project Gutenberg edition (really it’s a mess) and copy editing it up with respect to an old, but respectable public domain edition. Took me a long time to do the cleaning, dozens of hours. I was picking up typos for weeks. I am planning to just let it go free one way or the other. It currently exists as a set of MS-Word files. Maybe someone would like to take it and do up a nice CommentPress edition.
We’re thinking of doing a book event at the Valve, discussing the novel’s debated status as the first SF novel. I thought we could call it: The Structure of Mad Scientific Revolutions. That could create a mass of scholarly matter, albeit in the form of essays rather than stuff that would appropriately be displayed side-by-side with the text.
I have proposed to Parlor Press doing a paper edition, under CC release… Obviously that would be consistent with doing something a bit more ambitious. One thing I thought would be fun: try to encourage artists to contribute illustrations. Collect a whole bunch of illustrations of Frankenstein and have that as a possible display, side by side with the text.
Also, try to get SF authors to contribute in some way. What do they think of the original SF novel? Make it not just academic that way.
The suggestion isn’t to scuttle Ulysses but to do something else in addition. Since I’ve already made a basic text, which I am happy to hand over for free, it wouldn’t be hard to get something up and running. Also, it would be an attractive thing for the Institute to have: the web’s only decent online edition of the 1831 edition of Frankenstein. (Also there must be some nice metaphor to be had about how these collaborative projects are sort of Frankenstein monsters themselves. Call it the Frankenstein Project. Something.)
Cheers,
JH

Sebastian Mary replied with another idea:

…if I were playing Commentpress Classics fantasy football the title I’d like to see networked would be Pope’s Dunciad. Its subject-matter is the step change in volume of printed matter appearing as a result of the early C18 print boom, and the writer’s concern about the onset of an age of ‘dullness’ brought about by the surge in hack writing: pretty much the same anxiety as that articulated by print publishers about digital text.
Formally, it’d work wonderfully, as it’s a very lateral text anyway: the later edition is elaborately footnoted – and because of the very specific references to historical places and people many of these themselves need explicatory footnotes.
There’s a kind-of-hypertext version here: http://andromeda.rutgers.edu/~jlynch/Texts/dunciad4.html#8 – I can’t help daydreaming about what it’d be like if you it was in Commentpress so that you could add to each footnote, sprout new arguments, proliferate the text to infinity. Perhaps I just like the ironies in all this, but I think it would be beautiful…
M

The thread is open so please feel encouraged to float your own proposals, not just for CommentPress-based projects but for anything you can imagine being done with digital networked forms.

commentpress update

The release of CommentPress has made for exciting times here at the institute (the feedback has also been very encouraging). But as with any piece of software, CommentPress will need constant tending, and with quick succession upgrades, we hope to address the most crucial issues – starting with the first major update, CommentPress version 1.1.
This is a very important update, so everyone is encouraged to upgrade as soon as possible.
For a complete list of the changes, check out the CommentPress download page.

CommentPress 1.0

At long last, we are pleased to release CommentPress, a free, open source theme for the WordPress blog engine designed to allow paragraph-by-paragraph commenting in the margins of a text. To download it and get it running in your WordPress installation, go to our dedicated CommentPress site. There you’ll find everything you need to get started. This 1.0 release represents the most basic out-of-the-box version of the theme. Expect many improvements and new features in the days and weeks ahead (some as soon as tomorrow). We could have kept refining it for another week but we felt that the time was well past due to get it out in the world and to let the community development cycles begin. So here it is:
/commentpress/ »
This little tool is the happy byproduct of a year and a half spent hacking WordPress to see whether a popular net-native publishing form, the blog, which, most would agree, is very good at covering the present moment in pithy, conversational bursts but lousy at handling larger, slow-developing works requiring more than chronological organization – ?whether this form might be refashioned to enable social interaction around long-form texts. Out of this emerged a series of publishing experiments loosely grouped under the heading “networked books.” The first of these, McKenzie Wark’s GAM3R 7H30RY 1.1, was a wildly inventive text whose aphoristic style and modular structure lent it readily to “chunking” into digestible units for online discussion. This is how it ended up looking:

In the course of our tinkering, we achieved one small but important innovation. Placing the comments next to rather than below the text turned out to be a powerful subversion of the discussion hierarchy of blogs, transforming the page into a visual representation of dialog, and re-imagining the book itself as a conversation. Several readers remarked that it was no longer solely the author speaking, but the book as a whole (author and reader, in concert).
Toying with the placement of comments was relatively easy to do with Gamer Theory because of its unusual mathematical structure (25 paragraphs per chapter, 250 words or lessper paragraph), but the question remained of how this format could be applied to expository texts of more variable shapes and sizes. The breakthrough came with Mitchell Stephens’ paper, The Holy of Holies: On the Constituents of Emptiness. The solution we found was to have the comment area move with you in the right hand column as you scrolled down the page, changing its contents depending on which paragraph in the left hand column you selected. This format was inspired in part by a WordPress commenting system developed by Jack Slocum and by the Free Software Foundation’s site for community review of drafts of the GNU General Public License. Drawing on these terrific examples, we at last managed to construct a template that might eventually be exported as a simple toolset applicable to any text.

Ever since “Holy of Holies,” people have been clamoring for us to release CommentPress as a plugin so they could start playing with it, improving it and customizing it for more specialized purposes. Now it’s finally here, with a cleaned-up codebase and a simpler interface, and we can’t wait to see how people start putting it to use. We can imagine a number of possibilities:
-? scholarly contexts: working papers, conferences, annotation projects, journals, collaborative glosses
-? educational: virtual classroom discussion around readings, study groups
-? journalism/public advocacy/networked democracy: social assessment and public dissection of government or corporate documents, cutting through opaque language and spin (like our version of the Iraq Study Group Report, or a copy of the federal budget, or a Walmart press release)
-? creative writing: workshopping story drafts, collaborative storytelling
-? recreational: social reading, book clubs
Once again, there are dozens of little details we want to improve, and no end of features we would love to see developed. Our greatest hope for CommentPress is that it take on a life of its own in the larger community. Who knows, it could provide a base for something far more ambitious.
An important last thought, however. While CommentPress presents exciting possibilities for social reading and writing on the Web, it is still very much bound by its technical origins, the blog. This presents significant limitations both in the flexibility of document structures and in the range of media that can be employed in writing and response. Sure, even in the current, ultra-basic version, there’s no reason a CommentPress document can’t incorporate image, video and sound embeds, but they must be fit into the narrow and brittle textual template dictated by the blog.
All of which is to say that we do not view CommentPress or whatever might grow out of it as an end goal but rather as a step along the way. In fact, this and all of the experiments mentioned above were undertaken in large part as field research for Sophie, and they have had a tremendous impact on its development. While there is still much work to be done, the ultimate goal of the Sophie project is to make a tool that handles all the social network interactions (and more) that CommentPress does but within a far more fluid and easy-to-use composition/reading space where media can mix freely. That’s the larger prize. For the moment though, let’s keep hacking the blog to within an inch of its life and seeing what we can discover.
A million thanks go out to our phenomenal corps of first-run testers, particularly Kathleen Fitzpatrick, Karen Schneider, Manan Ahmed, Tom Keays, Luke Rodgers, Peter Brantley and Shana Kimball, for all the thoughtful and technically detailed feedback they’ve showered upon us over the past few days. Thanks to you guys, we’re getting this out of the gate on solid legs and our minds are now churning with ideas for future development.
Here is a chronology of CommentPress projects leading up to the open source release (July 25, 2007):
GAM3R 7H30RY 1.1 by McKenzie Wark (launched May 22, 2006)
The Holy of Holies: On the Constituents of Emptiness by Mitchell Stephens (December 6, 2006)
The Iraq Study Group Report with Lapham’s Quarterly (December 21, 2006)
The President’s Address to the Nation, January 10th, 2007 with Lapham’s Quarterly (together, the Address and the ISG Report comprised Operation Iraqi Quagmire) (January 10, 2007)
The Future of Learning Institutions in a Digital Age with HASTAC (Humanities, Arts, Science, and Technology Advanced Collaboratory) (January 17, 2007)
Scholarly Publishing in the Age of the Internet by Kathleen Fitzpatrick, published at MediaCommons (March 30, 2007)
(All the above are best viewed in Firefox. The new release works in all major browsers and we’re continuing to work on compatibility.)

the paper e-book

Manolis Kelaidis, a designer at the Royal College of Art in London, has found a way to make printed pages digitally interactive. His “blueBook” prototype is a paper book with circuits embedded in each page and with text printed with conductive ink. When you touch a “linked” word on the page and your finger completes a circuit, sending a signal to a processor in the back cover which communicates by Bluetooth with a nearby computer, bringing up information on the screen.

(image from booktwo.org)
I’ve heard from a number of people that Kelaidis brought down the house last week at O’Reilly’s “Tools of Change for Publishing” conference in San Jose. Andrea Laue, who blogs at jusTaText, did a nice write-up:

He asked the audience if, upon encountering an obscure reference or foreign word on the page of a book, we would appreciate the option of touching the word on the page and being taken (on our PC) to an online resource that would identify or define the unfamiliar word. Then he made it happen. Standing O.
Yes, he had a printed and bound book which communicated with his laptop. He simply touched the page, and the laptop reacted. It brought up pictures of the Mona Lisa. It translated Chinese. It played a piece of music. Kelaidis suggested that a library of such books might cross-refer, i.e. touching a section in one book might change the colors of the spines of related books on your shelves. Imagine.

So there you have it. A networked book – in print. Amazing.
It’s not surprising to hear that the O’Reilly crowd, filled with anxious publishers, was ecstatic about the blueBook. Here was tangible proof that print can be meaningfully integrated with the digital world without sacrificing its essential formal qualities: the love child of the printed book and the companion CD-ROM. And since so much of the worry in publishing is really about the crumbling of business models and only secondarily about the essential nature of books or publishing, it was no doubt reassuring to imagine something like the blueBook as the digital book of the future: a physical object that can be reliably bought and sold (and which, with all those conductors, circuits and processors involved, would be exceedingly difficult to copy).
Kelaidis’ invention definitely sounds wonderful, but is it a plausible vision of things to come? I suppose electronic paper of all kinds, pulp and polymer, will inevitably get better and cheaper over time. How transient and historically contingent is our attachment to paper? There’s a compelling argument to be made (Gary Frost makes it, and we frequently debate it around the table here) that, in spite of all the new possibilities opened up by digital technologies, the paper book is a unique ergonomic fit for the human hand and mind, and, moreover, that its “bounded” nature allows for a kind of reading that people will want to keep distinct from the more fragmentary and multi-directional forms of reading we do on computers and online. (That’s certainly my personal reading strategy these days.) Perhaps, with something like the blueBook, it would be possible to have the best of both worlds.
But what about accessibility? What about trees? By the time e-paper is a practical reality, will attachment to print have definitively ebbed? Will we be used to a greater degree of interactivity (the ability not only to link text but to copy, edit and recombine it, and to mix it directly, on the “page,” with other media) than even the blueBook can provide?
Subsequent thought:A discussion about this on an email list I subscribe to reminded me of the intellectual traps that I and many others fall into when speculating about future technologies: the horse race (which technology will win?), the either/or question. What do I really think? The future of the book is not monolithic but rather a multiplicity of things – the futures of the book – and I expect (and hope) that well-crafted hyrbrid works like Kelaidis’ will be among those futures./thought
We just found out that next week Kelaidis will be spending a full day at the Institute so we’ll be able to sift through some of these questions in person.

if:book

A Project of the Institute for the Future of the Book