Category Archives: internet

google dystopia

Google as big brother: “Op-Art” by Randy Siegel from today’s NY Times.
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ubu, king again

It’s nice to see that UbuWeb, the great public web library of the avant garde, is back online after “a long summer of rebuilding.” At times when the web feels depressingly shallow, Ubu can be the perfect medecine. Among the many masterworks you will find is Samuel Beckett’s “Film” (1965), starring a very old Buster Keaton. It’s wonderful that anyone can watch this online (I’ve just spent half an hour in its thrall).

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Also worth checking out are /ubu Editions – handsomely designed electronic texts ranging across an interesting selection of poetry, prose and theatre, including Ron Silliman’s “The Chinese Notebook,” which Dan blogged about a couple weeks back. These, like everything else on Ubu, are free.

the big picture

Though a substantial portion of our reading now takes place online, we still chafe against the electronic page, in part because today’s screens are hostile to the eye, but also, I think, because we are waiting for something new – something beyond a shallow mimicry of print. Occasionally, however, you come across something that suggests a new possibility for what a page, or series of pages, can be when words move to the screen.
I came across such a thing today on CNET’s new site, which has a feature called “The Big Picture,” a dynamic graphical display that places articles at the center of a constellation, drawing connections to related pieces, themes, and company profiles.
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Click on another document in the cluster and the items re-arrange around a new center, and so on – ontologies are traced. But CNET’s feature does not go terribly far in illuminating the connections, or rather the different kinds of connections, between articles and ideas. They should consider degrees of relevance, proximity in time, or overlaps in classification. Combined with a tagging system, this could get interesting. As it stands, it doesn’t do much that a simple bullet list of related articles can’t already do admirably, albeit with fewer bells and whistles.
But this is pushing in an interesting direction, testing ways in which a web publication can organize and weave together content, shedding certain holdovers from print that are no longer useful in digital space. CNET should keep playing with this idea of an article ontology viewer – it could be refined into a legitimately useful tool.

hacking nature

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Slate is trying something new with its art criticism: a new “gallery” feature where each month an important artist will be discussed alongside a rich media presentation of their work.

…we’re hoping to emphasize exciting new video and digital art–the kind of art that is hard to reproduce in print magazines.

For their first subject, they don’t push the print envelope terribly far (just a simple slideshow), but they do draw attention to some stunning work by Canadian photographer Edward Burtynsky, who (happily for us New Yorkers) has shows coming this week to the Brooklyn Museum and the Charles Cowles Gallery in Manhattan. Burtynsky documents landscapes bearing the mark of extreme human exploitation – the infernal streams flowing from nickel mines, junked ocean liners rusting in chunks on the beach, abandoned quarries ripe with algae in their cubic trenches, and an arresting series from recent travels through China’s industrial belt.
These photographs carry startling information through the image-surplussed web. But Burtynsky disappoints in one vital, perhaps deciding, respect:

…his position on the moral and political implications of his work is studiously neutral. He doesn’t point fingers or call for change; instead, he accepts industry’s exploitation of the land as the inevitable result of modern progress. “We have extracted from the land from the moment we stood on two feet,” he said in an interview in the exhibition catalog. “The entire 20th century has been a revving up of this large consumptive engine. It’s not a question of whether we are going to stop consuming. It’s not going to happen…”

As someone who believes that struggling to prevent (or at least mitigate) global ecological disaster should be the transcending narrative of our times, I find Burtynsky’s detachment deeply depressing and self-defeating. His images glory in the sick beauty of these ravaged scenes, and the cultural consumers that will no doubt pay large sums for these photographs at his upcoming Chelsea show only compound the cynicism.

wikipedia compiles britannica errors

Whatever one’s hesitations concerning the accuracy and reliability of Wikipedia, one has to admire their panache. Wikipedia applies the de-bugging ethic of programming to the production of knowledge, and this page is a wonderful cultural document – biting the collective thumb at print snobbism.
(CNET blogs)

learning from failure: the dot com archive

The University of Maryland’s Robert H. Smith School of Business is building an archive of primary source documents related to the dot com boom and bust. The Business Plan Archive contains business plans, marketing plans, venture presentations and other business documents from thousands of failed and successful Internet start-ups. In the upcoming second phase of the project, the archive’s creator, assistant professor David A. Kirsch, will collect oral histories from investors, entrepreneurs, and workers, in order to create a complete picture of the so-called internet bubble.
With support from the Alfred P. Sloan Foundation, The Library of Congress, and Maryland’s business school, Mr. Kirsch is creating a teaching tool as well as an historical archive. Students in his management and organization courses at Maryland’s School of Business, must choose a company from the archive and analyze what went wrong (or right). Scholars and students at other institutions are also using it for course assignments and research.
An article in the Chronicle of Higher Education, Creating an Archive of Failed Dot-Coms, points out that Mr. Kirsch won’t profit much, despite the success of the archive.

Mr. Kirsch concedes that spending his time building an online archive might not be the best marketing strategy for an assistant professor who would like to earn tenure and a promotion. Online scholarship, he says, does not always generate the same respect in academic circles that publishing hardcover books does.
“My database has 39,000 registered users from 70 countries,” he says. “If that were my book sales, it would be the best-selling academic book of the year.”
Even so, Mr. Kirsch believes, the archive fills an important role in preserving firsthand materials.
“Archivists and scholars normally wait around for the records of the past to cascade down through various hands to the netherworld of historical archives,” he says. “With digital records, we can’t afford to wait.”

the database of intentions

Interesting edition of Open Source last week on “Google Sociology” with David Weinberger and John Battelle, author of the just-published “The Search: How Google and Its Rivals Rewrote the Rules of Business and Transformed Our Culture”. Listen here.
Weinberger has some interesting things to say about Google (and the other search engines) as “publishers.” I have some thoughts on that too. More to come later.
Battelle has done a great deal of thinking on search from a variety of angles: the technology of search, the economics of search, and the more esoteric dimensions of a “search” culture. He touches briefly on this last point, laying out a construct that is probably treated more extensively in his book: the “database of intentions.” By this he means the archive, or “artifact,” of the world’s search queries. A picture of the collective consciousness formed by the questions everyone is asking. Even now, when logged in to Google, a history of all your search query strings is kept – your own database of intentions. The potential value of this database is still being determined, but obvious uses are targeted advertising, and more relevant search results based on analysis of search histories.
As regards the collective database of intentions, Battelle speculates that future advances in artificial intelligence will likely draw on this enormous crop of information about how humans think and seek.

uh oh

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It’s really happening. Next Monday, The New York Times will inaugurate its “Times Select” subscription service. NYTimes.com will remain free, with much of the usual content still available (including multimedia), but op-eds and columnists will be pay-only. Oh well, the Washington Post opinion page is better anyway. The 100-article-per-month archive access is slightly tempting though.
The Times is betting that significant numbers of readers will shell out, just like they do for a premium channel on cable. Can the Times be the HBO of web news? Casual reader poll: who’s thinking of paying?
(link: Letter From the Editor explaining the new service to readers)

yahoo! experiments with multimedia journalism

Yahoo! has enlisted tele-journalist and blogger Kevin Sites to produce a one-year web program chronicling the world’s conflict zones in multimedia format.
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Sites has become known for his jaunts as a “solo journalist,” trundling from hot spot to hot spot with a backpack full of gadgetry, beaming reports from his one-man broadcast station. It’s a formula that is tailor-made for the web. Clearly, Yahoo! was paying attention. The NY Times reports on “Kevin Sites In the Hot Zone”:

As he travels to these places, Mr. Sites will write a 600- to 800-word dispatch each day and produce a slide show of 5 to 10 digital photographs. He will also narrate audio travelogues. There will be several forms of video – relatively unedited footage posted several times a week, and once a week, a more traditional video report, edited in the style of a network news broadcast.
Mr. Sites will also be the host of regular online chats with Yahoo users who will be able to post comments on message boards. And he will post quick text messages on the site updating his activities throughout the day.

Counting on war and carnage as a surefire crowd draw, Yahoo! makes a rather tawdry entrance into independent journalism. But this is a very significant move nonetheless, evidence that Yahoo! is evolving into a full-fledged media company, and suggesting that the one-man-band approach to journalism and webcast might become a regular thing. If the Sites show finds an audience, they should try out serious investigative reporting or medium-length documentary.