Author Archives: ben vershbow

making MediaCommons

Back in July, we announced plans to build MediaCommons, a new kind of scholarly press for the digital age with a focus on media studies — a wide-ranging network that will weave together various forms of online discourse into a comprehensive publishing environment. At its core, MediaCommons will be a social networking site where academics, students, and other interested members of the public can write and critically converse about a mediated world, in a mediated environment. We’re trying to bridge a number of communities here, connecting scholars, producers, lobbyists, activists, critics, fans, and consumers in a wide-ranging, critically engaged conversation that is highly visible to the public. At the same time, MediaCommons will be a full-fledged electronic press dedicated to the development of born-digital scholarship: multimedia “papers,” journals, Gamer Theory-style monographs, and many other genre-busting forms yet to be invented.
Today we are pleased to announce the first concrete step toward the establishment of this network: making MediaCommons, a planning site through which founding editors Avi Santo (Old Dominion U.) and Kathleen Fitzpatrick (Pomona College) will lead a public discussion on the possible directions this all might take.
The site presently consists of three simple sections:

1) A weblog where Avi and Kathleen will think out loud and work with the emerging community to develop the full MediaCommons vision.
2) A call for “papers” — scholarly projects that engagingly explore some aspect of media history, theory, or culture through an adventurous use of the broad palette of technologies provided by the digital network. These will be the first round of texts published by MediaCommons at the time of its launch.
3) In Media Res — an experimental feature where each week a different scholar will present a short contemporary media clip accompanied by a 100-150 word commentary, alongside which a community discussion can take place. Sort of a “YouTube” for scholars and a critically engaged public, In Media Res is presented as just one of the many possible kinds of collaborative, multi-modal publications that MediaCommons could eventually host. With this feature, we are also making a stand on “fair use,” asserting the right to quote from the media for scholarly, critical and pedagogical purposes. Currently on the site, you’ll find videos curated by Henry Jenkins of MIT, Jason Mittell of Middlebury College and Horace Newcomb of the University of Georgia (and the founder of the Peabody Awards). There’s an open invitation for more curators.

Other features and sections will be added over time and out of this site the real MediaCommons will eventually emerge. How exactly this will happen, and how quickly, is yet to be seen and depends largely on the feedback and contributions from the community that will develop on making MediaCommons. We imagine it could launch as early as this coming Spring or as late as next Fall. Come take a look!

google aquires jotspot

Adding wikis to its evolving online office suite.

blogs and time (links for 11.1.06)

Interesting links that crossed my path over the past few days that I haven’t time to post on (and likely never will):

“French publishers join fight against Google Book Search”: Le Syndicat National de l’édition (SNE), a trade association of French publishers, has joined a suit brought against Google by the Le Martiniè re conglomerate in August for “counterfeiting and breach of intellectual property rights” in its book digitization program.
outside.in is a new web service co-created by Steven Johnson and John Geraci that aggregates blog content according to zip code, giving you a regularly updated guide to where you live. It uses a little Google map as a navigation tool — a dynamic table of contents.
US intelligence agencies use wikis: The CIA and other agencies have begun using an internal wiki site called the “Intellipedia” where staff post current events updates and colloborate on intelligence assessments, supposedly to avoid repeating mistakes like Iraq WMD. “‘I think in the future you’ll press a button and this will be the NIE,’ said Michael Wertheimer, assistant deputy director of national intelligence for analysis.”
Clay Shirky on “meganiches”
Wikipedia and the academy: To contribute or not to contribute? Article in Chronicle of Higher Ed. on the fraught relationship between academics and the online encyclopedia. Among other things discusses troubling disparity in quality between science articles and humanities articles. Is there a “two cultures” problem in online scholarly collaboration?
Ehon: The Artist and the Book in Japan: Glorious exhibit at the New York Public Library. A totally different way of thinking about books.

Should if:book serve as a filter and recommender, providing nutritious lists of links like the one above, or purely as a source of original ideas and commentary? If the answer is both, then what should be the ratio of shorter, “pointier” posts to longer, “thinkier” ones? Blogs are agnostic as to the varying size and speed of thoughts — everything goes into the same sinking scroll, soon vanishing into the catacombs of the monthly archives and category pages.
This works fine for news cycle or daily diary-type blogs, but it’s a handicap for a site like ours where longer meditations — the kind that would benefit from longer exposure — are the more common fare, and where extended, multi-post arcs on a relatively small cluster of central ideas are more what constitute the “story” of this blog than any given week’s smattering of entries. As I write, there are several extended conversations taking place within posts that, though only a few days old, are being pushed further and further down the scroll as newer content accumulates. The only hint of their still being active is the “recent comments” link to the right, which is at best an overheard whisper.
Given these constraints, and figuring that it’s the slower moving ideas that matter most, we generally try to avoid posting quick linkdumps like the one above — useful as they might be for annotating our wider web readings and pointing readers to interesting sites — simply because they have the unfortunate effect of pushing the other stuff down. But this only slightly mitigates the still unsolved problem of portraying complex movements of ideas over time on a dinky little blog.
As a side project, we’re thinking about how we could redesign if:book to keep the thinky stuff visible for longer and tied to past related discussions, while also keeping a swift current of useful annotated links and shorter observational posts. This might mean dividing our content into two separate feeds, as on this site.
We’ve also thought about ways to organize content thematically rather than temporally, so what you see at the top isn’t just the newest content, but a cluster of our most important and long-abiding conversations arranged by subject. We’re also considering changes to the individual permalinked pages of posts, perhaps adding dynamically generated links to related posts.
We’ve played around a bit with thematic arrangements on Mitch Stephens’ blog Without Gods. First, just below his banner there’s this tag cloud, which serves as a mental map of Mitch’s writing and interests:

Then there are four side menus with recent posts divided up by general area. “Bonner’s Field” is current events, “Tales of Disbelief” deals with characters in his book, “Thinking Out Loud” is sort of free-form jamming on ideas, and “Book Writer’s Journal” is meta-commentary on the writing process:

I’m also very taken with what this site, an NYU webzine on media and religion called The Revealer. They have a lovely section on the front page that divides articles and blog postings into three distinct tempos, or traffic lanes (which brings us back to the multiple streams/feeds idea):

“Time signature” is something we need to add to our design vocabulary for dealing with evolutionary, never-finished documents. Having multiple rates of movement in a single space can create interesting tensions and provide more points of entry to for the reader. I’m hoping we can put some of this into practice with if:book, and soon.
What are other sites that do a good job of handling time? Any other ideas as to how we might do better here?

the library project: a networked art experiment

Digital collaboration with me-jade, dou_ble_you and others in the Flickr Library Project
As he recently reflected upon here, Alex Itin has long been working at the border zones of art forms, moving in recent years to the strange intersection of paint and pixels. His blog is one of the most wildly inventive uses of that form, combining blazing low-res images of his paintings with text, photographs, short films, animated GIFs and audio mashups. All of this is done within the constraints of the blog’s scroll-like form — a constraint which Alex embraces, even relishes. I sometimes imagine the scroll endlessly emitting from Alex’s head like tape from a cash register, a continuous record of his transactions with the world.
ITIN place has been on the web for nearly two years now. In his second year, Alex began to explore new avenues out of the blog, establishing a presence on social media sites like Flickr, YouTube, Vimeo (a classier YouTube) and MySpace. Through these networked rovings, Alex has found a larger audience for his work, attracting new “readers” back to the blog where the various transmitted videos and images are reassembled in the scroll. He’s also established relationships with a number of other artists making interesting use of the web, particularly on Flickr and Vimeo. Recently, Alex invited a number of folks from the Flickr community to participate in a collaborative art project — a kind of exquisite corpse game via post. Here’s Alex:

The idea is that one artist takes a hardcover from a book, tears out the pages and draws in one half (or half draws in both halves) of the binder/diptyque. In a nod to Ray Johnson, the two books are mailed (swapped) and Each of these will be finished by the other. The results are posted in a Flicker group called (what else) The Library Project. From this group, hopefully a show will be curated for New York, or Paris, or Basel, or Berlin, or wherever anyone wants to show this project. It should be deliciously portable… get working…get collaborating…get reading!

As of this writing, the Library has racked up 278 members and has 205 images in its pool. A few of these are collaborations that have already made their trek across land, sea and air, others are purely digital combinations, while still others are simply book-inspired works submitted in the spirit of the project.

Alex has been documenting the process on his blog, weaving in some of the images. Styles combine, narratives emerge. In one video (excerpted here) he films himself receiving his first half-completed book from a Canadian artist known as driftwould. He unpacks the drawings and lets out a “wow,” than a sort of humbled sigh. It’s a nice moment of return to the physical world after several years of probing the digital ether.

And here’s how that turned out:

Read Alex’s documentation here and here.
Stay tuned for more — the project has only just begun. Plus, we’ve begun designing a fantastic new interface for Alex’s blog archives, which we’ll talk more about soon.

electronic literature collection – vol. 1

Seven years ago, the Electronic Literature Organization was founded “to promote and facilitate the writing, publishing, and reading of electronic literature.” Yesterday marked a major milestone in the pursuit of the “reading” portion of this mission as ELO released the first volume of the Electronic Literature Collection, a wide-ranging anthology of 60 digital literary texts in a variety of styles and formats, from hypertext to Flash poetry. Now, for the first time, all are made easily accessible over the web or on a free CD-ROM, both published under a Creative Commons license.
The contents — selected by N. Katherine Hayles, Nick Montfort, Scott Rettberg and Stephanie Strickland — range from 1994 to the present, but are stacked pretty heavily on this side of Y2K. Perhaps this is due to the difficulty of converting older formats to the web, or rights difficulties with electronic publishers like Eastgate. Regardless, this is a valuable contribution and ELO is to be commended for making such a conscious effort to reach out to educators (they’ll send a free CD to anyone who wants to teach this stuff in a class). Hopefully volume two will delve deeper into the early days of hypertext.
This outreach effort in some ways implicitly acknowledges that this sort of literature never really found a wider audience, (unless you consider video games to be the new literature, in which case you might have a bone to pick with this anthology). Arguments have raged over why this is so, looking variously to the perishability of formats in a culture of constant system upgrades to more conceptual concerns about non-linear narrative. But whether e-literature fan or skeptic, this new collection should be welcomed as a gift. Bringing these texts back into the light will hopefully help to ground conversations about electronic reading and writing, and may inspire new phases of experimentation.

cs monitor on online books and collaborative writing

In which GAM3R 7H3ORY is discussed at length with some really smart comments by our own Jesse Wilbur. Also covered: Google’s new Docs & Spreadsheets online office suite, Wikipedia, and Larry Sanger’s Wikipedia offshoot, Citizendium.

microsoft steps up book digitization

Back in June, Microsoft struck deals with the University of California and the University of Toronto to scan titles from their nearly 50 million (combined) books into its Windows Live Book Search service. Today, the Guardian reports that they’ve forged a new alliance with Cornell and are going to step up their scanning efforts toward a launch of the search portal sometime toward the beginning of next year. Microsoft will focus on public domain works, but is also courting publishers to submit in-copyright books.
Making these books searchable online is a great thing, but I’m worried by the implications of big coprorations building proprietary databases of public domain works. At the very least, we’ll need some sort of federated book search engine that can leap the walls of these competing services, matching text queries to texts in Google, Microsoft and the Open Content Alliance (which to my understanding is mostly Microsoft anyway).
But more important, we should get to work with OCR scanners and start extracting the texts to build our own databases. Even when they make the files available, as Google is starting to do, they’re giving them to us not as fully functioning digital texts (searchable, remixable), but as strings of snapshots of the scanned pages. That’s because they’re trying to keep control of the cultural DNA scanned from these books — that’s the value added to their search service.
But the public domain ought to be a public trust, a cultural infrastructure that is free to all. In the absence of some competing not-for-profit effort, we should at least start thinking about how we as stakeholders can demand better access to these public domain works. Microsoft and Google are free to scan them, and it’s good that someone has finally kickstarted a serious digitization campaign. It’s our job to hold them accountable, and to make sure that the public domain doesn’t get redefined as the semi-public domain.

books in time

This morning I’m giving a talk on networked books at a libraries and technology conference up at Bentley College, just outside of Boston. The program, “Social Networking: Plugging New England Libraries into Web 2.0,” has been organized by NELINET, a consortium of over 600 academic, public and special libraries across the six New England states, so librarians and info services folks from all over the northeast will be in attendance.
In many ways, our publishing projects fit quite comfortably under the broad, buzz-ridden rubrique of Web 2.0: books as social spaces, “architecture of participation,” “treat your users as co-developers” (or, in our experiments, readers as co-authors). I’m going to be discussing all of these things, but I’m also planning to look at books in a slightly different way: as processes, or movements, in time.
Lately, when we’re explaining our work to the unitiated, Bob picks up whatever book is lying nearby (yes, we do have books), holds it up in the air and indicates with his hands the space on either side of the object: “here’s all the stuff that came before the book, and here’s all the stuff that came after.” That’s the spectrum that networked reading and writing opens up, and what the Institute are trying to do is to explore and open up new ways of thinking about all these different stages of creative flow that go into and out of books. Of our recent projects, you could say that Without Gods focuses on the “into” end of the evolutionary span while GAM3R 7H30RY deals more with the “out of.” Naturally, books have always been this way, but computers and networks make all of it manifest in a very new way that’s difficult to make sense of.
That’s what the picture up top is getting at, in a joshing way. Bob’s depiction of books in time reminded me of the famous prism image on the cover of Pink Floyd’s “Dark Side of the Moon” where pure white light turns to rainbow as it passes through the glass. I was joking about this with Alex Itin, our artblogger in residence, and yesterday he cobbled together this excellent image (and ripped the audio), which I’m going to work into my talk somehow. Wish me luck.
(Incidentally, “Books in Time” is the name of a wonderful essay by Carla Hesse, a Berkeley historian, which has been a big influence on what we do.)

pre-order Gamer Theory on amazon!

Yes, it’s coming. The official pub date is April 15, 2007 from Harvard University Press, and the Institute will be producing a new online edition in conjunction with the print release. Pre-order now!

You’ll notice Ken’s dropped the L33T for the print title. He explains in a recent interview in RealTime:

For the website version I put the title in L33T [leet or gaming speak], partly in tribute to the early MUDs, but also to have a unique search string to put in Google or Technorati to track who was talking about it and where.

Smart. Also in that piece, a nice description of what we did:

As a critical engagement with the concepts of authorship, writing and intellectual property, GAM3R 7H30RY is a book written out of the social software fabric of blogs and wikis, Flickr, YouTube, Wikipedia and CiteULike. In other words, it represents a new writing practice that actively decentralizes the text as an object and disseminates it as an ongoing multi-channel conversation.

social powerpointing, or, the darker side of flash

SlideShare is a new web application that lets you upload PowerPoint (.ppt and .pps) or OpenOffice (.odp) slideshows to the web for people to use and share. The site (which is in an invite-only beta right now, though accounts are granted within minutes of a request) feels a lot like the now-merged Google Video and YouTube. Slideshows come up with a unique url, copy-and-paste embed code for bloggers, tags, a comment stream and links to related shows. Clicking a “full” button on the viewer controls enlarges the slideshow to fill up most of the screen. Here’s one I found humorously diagramming soccer strategies from various national teams:

Another resemblance to Google Video and YouTube: SlideShare rides the tidal wave of Flash-based applications that has swept through the web over the past few years. By achieving near-ubiquity with its plugin, Flash has become the gel capsule that makes rich media content easy to swallow across platform and browser (there’s a reason that the web video explosion happened when it did, the way it did). But in a sneaky way, this has changed the nature of our web browsers, transforming them into something that more resembles a highly customizable TV set. And by this I mean to point out that Flash inhibits the creative reuse of the materials being delivered since Flash-wrapped video (or slideshows) can’t, to my knowledge, be easily broken apart and remixed.
Where once the “view source” ethic of web browsers reigned, allowing you to retrieve the underlying html code of any page and repurpose all or parts of it on your own site, the web is becoming a network of congealed packages — bite-sized broadcast units that, while nearly effortless to disseminate through linking and embedding, are much less easily reworked or repurposed (unless the source files are made available). The proliferation of rich media and dynamic interfaces across the web is no doubt exciting, but it’s worth considering this darker side.