perspectives on distributed creativity

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Assignment Zero, an experimental news site that brings professional journalists together with volunteer researcher-reporters to collaboratively write stories, has kicked off its tenure at Wired News by doing an extended investigation of “crowdsourcing.” Crowdsourcing is the latest internet parlance used to describe work traditionally carried out by one or a few persons being distributed among many people. I’ve always found something objectionable about the term, which is more suggestive of a business model than a creative strategy and sidesteps the numerous ethical questions about peer production and corporate exploitation that are inevitably bound up in it. But it’s certainly a subject that could use a bit of scrutiny, and who better to do it than a journalistic team composed of the so-called crowd?
It is in this self-reflexive spirt that Jay Rosen, a exceedingly sharp thinker on the future of journalism and executive editor of Assignment Zero (and the related NewAssignment.net), presents an interesting series of features assembled by his “pro-am” team that look at a wide variety of online collaboration forms. This package has been in development for several months (many of the pieces contain links back to the original “assignments” and you can see how they evolved) and there’s a lot there: 80 Q&A’s, essays and stories (mostly Q&A’s) looking at innovative practices and practitioners across media types and cultural/commercial arenas. From an initial sifting, it’s less an analysis than just a big collection of perspectives, but this is valuable I think, if for no other reason than as a jumping-off point for further research.
There are many of the usual suspects like Benkler, Lessig, Jarvis, Shirky, Surowiecki, Wales etc., but as many or more of the pieces venture off the beaten track. There’s a thought-provoking interview with Douglas Rushkoff on open source as a cultural paradigm, some stuff on the Wu Ming fiction collective (which is fascinating), a piece about Sydney Poore, a Wikipedia “super-contributor,” and some coverage of our work, an interview with McKenzie Wark about Gamer Theory and collaborative writing. There’s also an essay by one of the Assignment Zero contributors, Kristin Gorski, synthesizing some of the material gathered on the latter subject: “Creative Crowdwriting: The Open Book.”
All in all this seems like a successful test drive for an experimental group that is still inventing its process. I’m interested to see how it develops with other less “wired” subjects.