Wyld Bites


In what feels like a flow of collaborative energy, I spent yesterday editing some footage shot by Dave Scarborough from my opening party of The Royal Wylds playing 17 Frost Street. I quite enjoy how the talking head sometimes seems to synch with Will Croxton’s vocals. A great software program would be to take the thousand head man and build a audio sensitive logarithm that could fit the face to certain key vowel and consonant sounds in speech so that the head would be like a giant Wizard of Oz and would synch up behind the singer, or comic, or performer, or whatever. Oh if I knew anything about computers I’d do it. But even in this ambient accidental method, it’s a pretty funny trick. Later that afternoon I played with some of Akaash’s tapes on the floor: letting them and the tiles dictate some abstract gestures, etc. I’m hoping he’ll swing by and work into it. Ironing out details on the closing party. More on that later.

A Parade of Signs

Sineparade rehearsed last night and Aakash came by Frost Street to collaborate a bit on some stuff for the next event (Sunday Feb. 22 afternoon video screening wine and talk sort of thing). I watched the raw video while listening to bob and waiting for the L and this guy started ranting and I decided to shoot him without knowing what he was saying (I had my I pod up loud). I don’t know what his deal was… some sort of stand up preacher. Some how the video and the music and the mad man all felt meaningful.

Further Forward

Obamanation


It snowed and so the world looked better already. I went to see the inauguration at Monkeytown and Obama gave a great speech and the world looked better still. So I went to 17 Frost to try and make the installation look a little better too.

I was also struck at how Cheney in a wheel chair seemed to channel Barrymore as Mr. Potter in Capra’s It’s a Wonderful Life:
The abomination of the last eight years gives way to the ObamaNation seeking inspiration.

Frost Bite That Chicken

Here is the updates from Friday’s Frost Space time lapses mixed with a Mingus song by way of Dylan’s old satellite radio show. Eat that chicken yes! Also some motion graphics made by a student of Golan Levin. The Eater is eating all sorts of heads I made over the years that they got off Flickr. I find this one thematically appropriate to the the first course of Frost Street… Food from the fridge… or whatever it is: Revenge Served Cold? Also a dead white pigeon I saw under the BQE on the way to the studio. Looked like an angel, or a Nationalist Seal….

Music Between Galleries


Music Between Galleries. from Alex Itin on Vimeo.
A remix of yesterday’s post… this focusing on live music I caught while running around to lots of art last week. The original video description: Ran around to see lots of art this week… Manhattan on Thursday, Bushwick on Saturday, Bburgh on Sunday, but I tried to take a second to smell the music. The piano is from a screening at Bushnik space, where someone installed a sodium vapor lamp that takes a few minutes to warm up and then blinds the room. They showed a couple of my vids and a bunch of other great stuff. The guitarist I saw at the Metropolitan stop. And here is the sort of Mystery Science version of Eat A Bug and me at Coney.

Screaming Guitar

screamingguitar.jpgSaturday after Halloween was an H day: Hung over we ate Hamburgers and watched Horror movies… Today it’s back to Hub and working on the preface part which I started writing late on halloween night a bit haunted by wine. It’s kind of a violent death haunted period I was writing on and it sort felt right to commune with those ghosts on all Hallow’s eve. Naturally today I deleted everything I wrote and started over, but the genearl map I’d left myself at 1:30 a.m. Friday was indispensable. Here’s a painting on a toy guitar that I’ve been working on for a few weeks.

Remain In Light

This whole process of writing is fraught with deep oceans of doubt. I try to remain positive about my self and my memories, but of course I am reliving some idiot times. This is an old video from two or so years ago, but is now in HD and properly deinterlaced. The sound track is a mash up of Glass’ Einstein on the Beach, playing at various speeds.

First Frost


The folks at 17 Frost Street were kind enough to give me some space to start knocking out drawings in The Little Prince (Le Petit Prince as it’s actually in French) while Aakash Nihalani installed his tape show and the band rehearsed. It was a nice way to start this new projet which I am imagining as a sort of modular, multi platform, multimedia memoir of my time at the turn of the century in Paris…

Though I hope it will be open enough to use as part of my ongoing blogging/vlogging experiment, the end result should be a fairly focused narrative electronic book.

I learned recently that they found St-Exupery’s downed plane in the sea. Not only this, but the German who shot him down came forward to own the kill. The irony was that Exupery was the Nazi pilot’s hero and had inspired him to fly in the first place. He had carried with him the fear and dread for all these years that he had shot down the writer/aviator and when they found the plane he knew from his flight log that it was his mission and his gun. Small world indeed.

Anyways the opening of Aakash’s show is thursday:

17 Frost and Bose Pacia Present: Aakash Nihalani
Thursday, October 9, 2008
7 – 10 pm

Located in Brooklyn’s Williamsburg neighborhood, 17 Frost, an auxiliary venue of Bose Pacia New York, will now begin hosting performance and studio arts projects. We are excited to announce the inaugural event on Thursday, October 9. Please join us as we host New York based street artist, Aakash Nihalani, who will present his impromptu and ephemeral tape installations.

Bose Pacia
508 West 26th St, 11th FL
New York, NY 10001
T: 212.989.7074
F: 212.989.6982
mail@bosepacia.com
bosepacia.com

The music here is The Replacements: Can’t Hardly Wait

Fluxed Up

fluxedupbook.jpg
Fluxed Up from MariaNYC on Vimeo.
Wonderful documentation of my USSA show by Maria Niro with some real live fluxus (well recorded and found on Ubu Web) music and poetry: Poem Whispered History of Art / Robert Fillou
Overlaid on Symphony Natura/ Henning Christiansen.
Followed by Ground Swell solo sax by Colin Stetson