First Frost


The folks at 17 Frost Street were kind enough to give me some space to start knocking out drawings in The Little Prince (Le Petit Prince as it’s actually in French) while Aakash Nihalani installed his tape show and the band rehearsed. It was a nice way to start this new projet which I am imagining as a sort of modular, multi platform, multimedia memoir of my time at the turn of the century in Paris…

Though I hope it will be open enough to use as part of my ongoing blogging/vlogging experiment, the end result should be a fairly focused narrative electronic book.

I learned recently that they found St-Exupery’s downed plane in the sea. Not only this, but the German who shot him down came forward to own the kill. The irony was that Exupery was the Nazi pilot’s hero and had inspired him to fly in the first place. He had carried with him the fear and dread for all these years that he had shot down the writer/aviator and when they found the plane he knew from his flight log that it was his mission and his gun. Small world indeed.

Anyways the opening of Aakash’s show is thursday:

17 Frost and Bose Pacia Present: Aakash Nihalani
Thursday, October 9, 2008
7 – 10 pm

Located in Brooklyn’s Williamsburg neighborhood, 17 Frost, an auxiliary venue of Bose Pacia New York, will now begin hosting performance and studio arts projects. We are excited to announce the inaugural event on Thursday, October 9. Please join us as we host New York based street artist, Aakash Nihalani, who will present his impromptu and ephemeral tape installations.

Bose Pacia
508 West 26th St, 11th FL
New York, NY 10001
T: 212.989.7074
F: 212.989.6982
mail@bosepacia.com
bosepacia.com

The music here is The Replacements: Can’t Hardly Wait

Fluxed Up

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Fluxed Up from MariaNYC on Vimeo.
Wonderful documentation of my USSA show by Maria Niro with some real live fluxus (well recorded and found on Ubu Web) music and poetry: Poem Whispered History of Art / Robert Fillou
Overlaid on Symphony Natura/ Henning Christiansen.
Followed by Ground Swell solo sax by Colin Stetson

Hanging Myself

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Not funny really in this time of Infinite Jests, but maybe it is really exactly how I feel. I mean in the sense of eternal return, or Metampsychosis, or however you spell it and whatever Joyce was talking about…. I’m hanging the show. I feel like a worker… in the Marxist sense of that word: working on the ladders with the back into it. I mean to say that hanging a book is a physical act. I’ve been training for it like a boxer at the gym.. but my fucking thumbs are still weak for the push pins and the map pins and the pins and needles and needles and pins…..feel like a carpenter… feel like Christ crucified… stigmata on my thumb. LOL. music here is some odd Brian Wilson post Smile mid mad period song. Fucking lovely and perfect fit for my raw time lapse. More to come…

Will He Be?

This is to test some ideas about motion in a project I’ve had on the back burner for a while. I-movie let’s you do some corny motion graphics for inserts, so I thought I’d toy with them a bit… I don’t know how to do real motion graphics, but I wanted to see what that and layers and scrolling and such might turn into on the screen. The story is a bit more involved and involves three characters: Willoughby, Clark, and the narrator. Feed back, collaboration, etc. welcome.

Beat It

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Here is a shot of the On The Road scroll where Jack Kerouac wrote the novel in one long Benzedrine fueled act of typing. It’s really a fantastic sculpture as well as being a great book. Belongs in a museum as much as a Library. I’d like to see it next to Rauchenberg’s tire print scroll just as one idea. I’ve heard the story of Kerouac writing on long rolls for years, but it was only recently that The New York Public Library put a few on display, with On The Road as the center line down the Liway. It got me reading Kerouac again. The drawing is mine with a page torn out of Dharma Bums, the photo is from Ben Vershbow.

What Will I Say Next

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Doing a little reading/presentation tonight and I’m sort of racking my brain to figure out what I want to say. Infact at the moment I’m reworking an old e-book in an attempt to make it fit a sort of improvised narrative I might (given enough courage) speak. Also, now that the collectibles book is done… have to make things out of a given constraint.

Cut Pages

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Coming to the end of the Time Life Encylopedia of Collectibles Beads to Boxes book. Meanwhile there’s some interesting thoughts on my recent and ongoing efforts on if book.