{"id":893,"date":"2007-01-29T14:45:11","date_gmt":"2007-01-29T14:45:11","guid":{"rendered":"\/ifbookblog\/?p=893"},"modified":"2007-01-29T14:45:11","modified_gmt":"2007-01-29T14:45:11","slug":"give_away_the_content_and_sell","status":"publish","type":"post","link":"https:\/\/futureofthebook.org\/blog\/2007\/01\/29\/give_away_the_content_and_sell\/","title":{"rendered":"give away the content and sell the thing"},"content":{"rendered":"<p>On my way to <a href=\/blog\/archives\/2007\/01\/the_culture_industry_and_botto.html>that rather long discussion of ARGs the other day<\/a>, I fielded something <a href=http:\/\/patkane.com\/>Pat Kane<\/a> said to me a while back about the growing importance of live gigs to the income of musicians.<br \/>\nSo I was tickled when <a href=http:\/\/www.paulmiller.org>Paul Miller<\/a> pointed me to <a href=http:\/\/www.longtail.com\/the_long_tail\/2007\/01\/give_away_the_m.html>a piece Chris Anderson blogged yesterday<\/a> about the same thing. Increasingly, musicians are giving their music away for free in order to drive gig attendance &#8211; and it&#8217;s driving music reproduction companies crazy. And yet, what can they do? &#8220;The one thing that you can&#8217;t digitize and distribute with full fidelity is a live show&#8221;.<br \/>\nA minor synchronicity; but then I stop by here and find Gary Frost and bowerbird vigorously debating the likeliness of the digitisation of everything, and of the death of &#8216;the original&#8217; as even a concept, in the context of Ben&#8217;s piece about the <a href=\/blog\/archives\/2007\/01\/national_archives_sell_out.html#c70731>National Archives sellout<\/a>. And then I remember that, the day before, someone sent me a spoof web page telling me to <a href=http:\/\/www.getafirstlife.com>get a First Life<\/a>. And I start to wonder if there&#8217;s some kind of post-digital backlash taking shape.<br \/>\nOK, Anderson is talking about music; it&#8217;s hard to speculate about how the manifest &#8216;authentic&#8217; appeal of a time-bound, ephemeral &#8216;gig&#8217; experience translates literally to the field of physical books without falling back into  diaphanous stuff about tactility and marginalia and so on. But, in the light of people&#8217;s manifest willingness to pay ridiculous sums to see the &#8216;real&#8217; Madonna in real time and space, is it really feasible to talk, as bowerbird does, about the coming digitisation of everything?<br \/>\nAs far as I can see, as more digitisation progresses, authenticity is becoming big business. I think it&#8217;s worth exploring the possibilities of a split between &#8216;book&#8217; as pure content, and book as &#8216;authentic&#8217; object. In particular, I think it&#8217;s worth exploring the possible economics of this: the difference in approach, genesis, theory, self-justification, style and paycheque of content created for digital reproduction, and text created for tangible books. And finally, I think whoever manages to sus both has probably got it made.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>On my way to that rather long discussion of ARGs the other day, I fielded something Pat Kane said to me a while back about the growing importance of live gigs to the income of musicians. So I was tickled when Paul Miller pointed me to a piece Chris Anderson blogged yesterday about the same [&hellip;]<\/p>\n","protected":false},"author":23,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[192,395,498,1059,1242,1546],"tags":[2329],"class_list":["post-893","post","type-post","status-publish","format-standard","hentry","category-books","category-copyright","category-digitization","category-libraries","category-music","category-publishing","tag-digitization-books-publishing-copyright-libraries-music"],"_links":{"self":[{"href":"https:\/\/futureofthebook.org\/blog\/wp-json\/wp\/v2\/posts\/893","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/futureofthebook.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/futureofthebook.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/futureofthebook.org\/blog\/wp-json\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"https:\/\/futureofthebook.org\/blog\/wp-json\/wp\/v2\/comments?post=893"}],"version-history":[{"count":0,"href":"https:\/\/futureofthebook.org\/blog\/wp-json\/wp\/v2\/posts\/893\/revisions"}],"wp:attachment":[{"href":"https:\/\/futureofthebook.org\/blog\/wp-json\/wp\/v2\/media?parent=893"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/futureofthebook.org\/blog\/wp-json\/wp\/v2\/categories?post=893"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/futureofthebook.org\/blog\/wp-json\/wp\/v2\/tags?post=893"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}