{"id":1379,"date":"2009-11-23T08:12:17","date_gmt":"2009-11-23T08:12:17","guid":{"rendered":"\/ifbookblog\/?p=1379"},"modified":"2009-11-23T08:12:17","modified_gmt":"2009-11-23T08:12:17","slug":"two_anniversaries","status":"publish","type":"post","link":"https:\/\/futureofthebook.org\/blog\/2009\/11\/23\/two_anniversaries\/","title":{"rendered":"two anniversaries"},"content":{"rendered":"<p>Just before Thanksgiving 1984, twenty-five years ago this week, The Criterion Collection was launched with the release of laserdisc editions <em>Citizen Kane<\/em> and <em>King Kong<\/em>.<br \/>\n<span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"kanecover.png\" src=\"\/blog\/kanecover.png\" width=\"320\" height=\"318\" class=\"mt-image-none\" style=\"\" \/><\/span><br \/>\nIn the video below  critic Leonard Maltin introduces Criterion to his TV audience. Roger Smith who appears in the tape was one of Criterion&#8217;s co-founders. Ron Haver, who at the time was the film-curator at the LA County Museum of Art, made the first  commentary track; a brilliant real-time introduction to the wonders of <em>King Kong<\/em>.<br \/>\n<object width=\"425\" height=\"344\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/PyIklbmfRJw&#038;hl=en_US&#038;fs=1&#038;\"><\/param><param name=\"allowFullScreen\" value=\"true\"><\/param><param name=\"allowscriptaccess\" value=\"always\"><\/param><embed src=\"http:\/\/www.youtube.com\/v\/PyIklbmfRJw&#038;hl=en_US&#038;fs=1&#038;\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"425\" height=\"344\"><\/embed><\/object><br \/>\nAlthough its since been changed, Criterion&#8217;s original logo from 1984 was based on the idea of a book turning into a disc. At the time it represented a conscious recognition that as microprocessors made their inevitable progression into all media devices, that the ways humans use and absorb media would change profoundly.  The card below was distributed at the American Bookseller&#8217;s Convention (now the BEA) in June of 1984.<br \/>\n<span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"logopic.png\" src=\"\/blog\/logopic.png\" width=\"400\" height=\"532\" class=\"mt-image-none\" style=\"\" \/><\/span><br \/>\n<span class=\"mt-enclosure mt-enclosure-image\" style=\"display: inline;\"><img loading=\"lazy\" decoding=\"async\" alt=\"logotext.png\" src=\"\/blog\/logotext.png\" width=\"412\" height=\"542\" class=\"mt-image-none\" style=\"\" \/><\/span><br \/>\nThis week in 1988 also marks the publication of Voyager&#8217;s <em>CD-Companion to Beethoven&#8217;s Ninth Symphony<\/em> by Robert Winter &#8212; the title that launched the brief cd-rom era of the early 90s.  In honor of that anniversary, beginning tomorrow and continuing through the end of the year, we&#8217;ll start posting promo pieces for a number of Voyager&#8217;s cd-roms.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Just before Thanksgiving 1984, twenty-five years ago this week, The Criterion Collection was launched with the release of laserdisc editions Citizen Kane and King Kong. In the video below critic Leonard Maltin introduces Criterion to his TV audience. Roger Smith who appears in the tape was one of Criterion&#8217;s co-founders. Ron Haver, who at the [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1379","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/futureofthebook.org\/blog\/wp-json\/wp\/v2\/posts\/1379","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/futureofthebook.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/futureofthebook.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/futureofthebook.org\/blog\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/futureofthebook.org\/blog\/wp-json\/wp\/v2\/comments?post=1379"}],"version-history":[{"count":0,"href":"https:\/\/futureofthebook.org\/blog\/wp-json\/wp\/v2\/posts\/1379\/revisions"}],"wp:attachment":[{"href":"https:\/\/futureofthebook.org\/blog\/wp-json\/wp\/v2\/media?parent=1379"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/futureofthebook.org\/blog\/wp-json\/wp\/v2\/categories?post=1379"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/futureofthebook.org\/blog\/wp-json\/wp\/v2\/tags?post=1379"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}