{"id":1218,"date":"2008-03-24T08:11:41","date_gmt":"2008-03-24T08:11:41","guid":{"rendered":"\/ifbookblog\/?p=1218"},"modified":"2008-03-24T08:11:41","modified_gmt":"2008-03-24T08:11:41","slug":"a_serious_shot_at_screen_readi","status":"publish","type":"post","link":"https:\/\/futureofthebook.org\/blog\/2008\/03\/24\/a_serious_shot_at_screen_readi\/","title":{"rendered":"a serious shot at screen reading"},"content":{"rendered":"<p>Another new online magazine: <a href=\"http:\/\/canopycanopycanopy.com\/\"><i>Triple Canopy<\/i><\/a> (noted by <a href=\"http:\/\/thedizzies.blogspot.com\/2008\/03\/table-talk-of-parkus-grammaticus-for_24.html\">Ed Park<\/a>). Unlike <a href=\"\/blog\/archives\/2008\/03\/issue_magazine.html\"><i>Issue<\/i><\/a> and <a href=\"\/blog\/archives\/2008\/03\/rosa_b.html\"><i>Rosa B.<\/i><\/a> this isn&#8217;t a design magazine&nbsp;&ndash; although the content is very interesting&nbsp;&ndash; but like them, it&#8217;s a serious attempt to construct a new kind of magazine for the screen-reading environment. While <i>Rosa B.<\/i>&#8216;s design uses the affordances of dynamic layering, <i>Issue<\/i> concentrates on reader annotation, <i>Triple Canopy<\/i> simply does away with the scroll bar.<br \/>\nRemoving the scroll bar is an obvious idea for improving screen reading that&#8217;s only rarely implemented: when you read text with a scroll bar (like this blog), the reader is forced to remove their concentration from the text to scroll down and then to find where the reading left off. It&#8217;s something we&#8217;re all quite used to, but that doesn&#8217;t mean it&#8217;s an advantageous reading behavior; we put up with because we rarely have a choice. <i>Triple Canopy<\/i> reverts from the scroll bar to the paged model of the codex book: if you click on the &#8220;+&#8221; sign to the right of the page, a new page slides in. It&#8217;s obvious where to resume reading. The text itself is well-cared for: it&#8217;s presented in columns of legible width, another lesson of print design that&#8217;s too often ignored in the online world. Worth noting as well is the way that images are integrated into some of the texts; again, there&#8217;s a clear and understood model for how reading works. Video can be slotted into some of the pieces without causing a disturbance or overwhelming: it appears on a page by itself, meant to be the primary focus of attention.<br \/>\nIt&#8217;s not entirely perfect: while the &#8220;+&#8221; sign always advances a page, &#8220;&ndash;&#8221; sometimes goes back a page and sometimes goes to the previous article (if clicked on the first page of the article). I wish clicking the &#8220;triplecanopy&#8221; at the bottom took you back to the issue&#8217;s table of contents and not the magazine&#8217;s front page. Because the site&#8217;s made in HTML, the design breaks if you increase or decrease the font size in your browser. And the Powerpoint-style wipe when the pages change quickly grows tiresome. But these are minor quibbles with a design that&#8217;s overwhelmingly successful. I&#8217;ll be curious to see if this is sustainable over more issues.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Another new online magazine: Triple Canopy (noted by Ed Park). Unlike Issue and Rosa B. this isn&#8217;t a design magazine&nbsp;&ndash; although the content is very interesting&nbsp;&ndash; but like them, it&#8217;s a serious attempt to construct a new kind of magazine for the screen-reading environment. While Rosa B.&#8216;s design uses the affordances of dynamic layering, Issue [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[121,252,467,912,1114,1576,1617,1668,1902],"tags":[3208,3283,3322,2885,2891,2984],"class_list":["post-1218","post","type-post","status-publish","format-standard","hentry","category-b","category-canopy","category-design","category-issue","category-magazine","category-reading","category-rosa","category-screen","category-triple","tag-design","tag-issue","tag-magazine","tag-rosa-b","tag-screen-reading","tag-triple-canopy"],"_links":{"self":[{"href":"https:\/\/futureofthebook.org\/blog\/wp-json\/wp\/v2\/posts\/1218","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/futureofthebook.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/futureofthebook.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/futureofthebook.org\/blog\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/futureofthebook.org\/blog\/wp-json\/wp\/v2\/comments?post=1218"}],"version-history":[{"count":0,"href":"https:\/\/futureofthebook.org\/blog\/wp-json\/wp\/v2\/posts\/1218\/revisions"}],"wp:attachment":[{"href":"https:\/\/futureofthebook.org\/blog\/wp-json\/wp\/v2\/media?parent=1218"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/futureofthebook.org\/blog\/wp-json\/wp\/v2\/categories?post=1218"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/futureofthebook.org\/blog\/wp-json\/wp\/v2\/tags?post=1218"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}