{"id":1206,"date":"2008-03-13T07:48:11","date_gmt":"2008-03-13T07:48:11","guid":{"rendered":"\/ifbookblog\/?p=1206"},"modified":"2008-03-13T07:48:11","modified_gmt":"2008-03-13T07:48:11","slug":"rosa_b","status":"publish","type":"post","link":"https:\/\/futureofthebook.org\/blog\/2008\/03\/13\/rosa_b\/","title":{"rendered":"rosa b."},"content":{"rendered":"<p>A quick note to point out <i><a href=\"http:\/\/www.rosab.net\/\">Rosa B<\/a><\/i>, a new online publication in French and English from the CAPC Museum of Contemporary Art Bordeaux and the Bordeaux School of Fine Arts. Their first issue, online now, is about contemporary publishing and edited by the very interesting Thomas Boutoux. More of an art slant than a business one, but the features would probably interest readers of this site: an interview with Stuart Bailey of <a href=\"http:\/\/www.dot-dot-dot.us\/\"><i>dot dot dot<\/i><\/a> and <a href=\"http:\/\/www.dextersinister.org\/\">Dexter Sinister<\/a> about his publishing and design-related activities; novelist and critic Matthew Stadler talks about the social space of reading; and a nicely excerpted bit of Friedrich Kittler&#8217;s <a href=\"http:\/\/www.altx.com\/ebr\/reviews\/rev10\/r10cla.htm\"><i>Gramophone, Film, Typewriter<\/i><\/a>, which has been out in English translation for a while but could stand more readers.<br \/>\nWorth noting as much as the content is the form: <i>Rosa B.<\/i> is clearly designed for online reading, and takes advantages of the affordances of the web; it&#8217;s nice to see texts on reading that have been designed by someone who thinks about how they&#8217;ll be read. Texts overlap and intersect with other texts and illustrations; long filmed interviews mix with text amiably.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A quick note to point out Rosa B, a new online publication in French and English from the CAPC Museum of Contemporary Art Bordeaux and the Bordeaux School of Fine Arts. Their first issue, online now, is about contemporary publishing and edited by the very interesting Thomas Boutoux. More of an art slant than a [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[121,467,969,1546,1617],"tags":[3208,3295,3413,2885],"class_list":["post-1206","post","type-post","status-publish","format-standard","hentry","category-b","category-design","category-journals","category-publishing","category-rosa","tag-design","tag-journals","tag-publishing","tag-rosa-b"],"_links":{"self":[{"href":"https:\/\/futureofthebook.org\/blog\/wp-json\/wp\/v2\/posts\/1206","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/futureofthebook.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/futureofthebook.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/futureofthebook.org\/blog\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/futureofthebook.org\/blog\/wp-json\/wp\/v2\/comments?post=1206"}],"version-history":[{"count":0,"href":"https:\/\/futureofthebook.org\/blog\/wp-json\/wp\/v2\/posts\/1206\/revisions"}],"wp:attachment":[{"href":"https:\/\/futureofthebook.org\/blog\/wp-json\/wp\/v2\/media?parent=1206"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/futureofthebook.org\/blog\/wp-json\/wp\/v2\/categories?post=1206"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/futureofthebook.org\/blog\/wp-json\/wp\/v2\/tags?post=1206"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}