{"id":1108,"date":"2007-11-12T20:12:12","date_gmt":"2007-11-12T20:12:12","guid":{"rendered":"\/ifbookblog\/?p=1108"},"modified":"2007-11-12T20:12:12","modified_gmt":"2007-11-12T20:12:12","slug":"reading_as_collective_enterpri","status":"publish","type":"post","link":"https:\/\/futureofthebook.org\/blog\/2007\/11\/12\/reading_as_collective_enterpri\/","title":{"rendered":"reading as collective enterprise"},"content":{"rendered":"<p>In this excerpt from an interview with Michael Silverblatt, the host of KCRW&#8217;s <a href=\"http:\/\/www.kcrw.com\/etc\/programs\/bw\">Bookworm<\/a>, Junot D&iacute;az, the author of <i>The Brief Wondrous Life of Oscar Wao<\/i> articulates an aspect of the communal nature of books that isn&#8217;t often brought up: he argues that we learn to read communally, and that this isn&#8217;t necessarily a mode of reading that we should move away from. Here&#8217;s the audio&nbsp;&ndash; there&#8217;s a fervor to D&iacute;az&#8217;s argument that doesn&#8217;t come off in a straight transcription:<\/p>\n<p align=\"center\"><object width=\"300\" height=\"90\"><param name=\"movie\" value=\"http:\/\/audioo-static.s3.amazonaws.com\/swf\/03.EmbedTrackPlayer\/EmbedMp3Player.swf\"><\/param><param name=\"wmode\" value=\"window\"><\/param><param name=\"flashvars\" value=\"autoPlay=false&#038;trackId=7b55a47b5f1255d&#038;cake_gateway=http:\/\/www.audioo.com\/cake_gateway.php\"><\/param><embed src=\"http:\/\/audioo-static.s3.amazonaws.com\/swf\/03.EmbedTrackPlayer\/EmbedMp3Player.swf\" type=\"application\/x-shockwave-flash\" wmode=\"window\" flashvars=\"autoPlay=false&#038;trackId=7b55a47b5f1255d&#038;cake_gateway=http:\/\/www.audioo.com\/cake_gateway.php\" width=\"300\" height=\"90\"><\/embed><\/object><\/p>\n<p>(This is an excerpt; the full version can be downloaded from the <a href=\"http:\/\/www.kcrw.com\/etc\/programs\/bw\/bw071108junot_diaz\">Bookworm web site<\/a>.) For those who can&#8217;t listen, a quick synopsis: Silverblatt, looking at the way D&iacute;az uses science fiction and diaspora culture in his novel, sees a similarity to how James Joyce uses Dublin in <i>Ulysses<\/i>, as a lens through which to scry the world; in <i>Oscar Wao<\/i> bits of sci-fi and pop culture become a &#8220;vast encyclopedia of the world&#8221;; the universe reveals itself in particular. D&iacute;az then takes that idea and runs with it: as a reader, he sees his own book as a single part of an &#8220;enormous conversation of books&#8221;:<\/p>\n<blockquote><p>Nobody learns to read outside of a collective. We forget&nbsp;&ndash; because we read and we read alone&nbsp;&ndash; we forget that we learn to read collectively. We learn with our peers, and a teacher teaches us.&nbsp;.&nbsp;.&nbsp;. When you read a book&nbsp;&ndash; and especially like this book, where there&#8217;s gonna be Spanish, there&#8217;s gonna be historical references, there&#8217;s gonna be nerdish, as they say, forget the elvish, the nerdish, there&#8217;s gonna be fanboy stuff, there&#8217;s gonna be talk about Morgoth, about dark side, about John Brunner&#8217;s science fiction books, about Asimov, about Bova, about Andre Norton, about E. E. Doc Smith&#8217;s <i>Lensman<\/i>, you know all this weird esoteric stuff, amongst all these Dominican references, Caribbean references, urban black American references, all this nerd talk, all this kind of hip &#8220;we went to college&#8221; speak&nbsp;&ndash; the reason that&#8217;s all there in one place is the same reason that reading is a collective enterprise. When we did not know a word when we were young and learning, we would ask someone. We forgot&nbsp;&ndash; I think many of us forget&nbsp;&ndash; that praxis, that fundamental praxis. What I want is for people to read and remember that reading, while we may practice it alone, in solitude, it arose out of a collective learning and out of a collective exchange&nbsp;.&nbsp;.&nbsp;.&nbsp;.<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>In this excerpt from an interview with Michael Silverblatt, the host of KCRW&#8217;s Bookworm, Junot D&iacute;az, the author of The Brief Wondrous Life of Oscar Wao articulates an aspect of the communal nature of books that isn&#8217;t often brought up: he argues that we learn to read communally, and that this isn&#8217;t necessarily a mode [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[108,333,980,1183,1576],"tags":[3134,3176,3296,3339,3422],"class_list":["post-1108","post","type-post","status-publish","format-standard","hentry","category-audio","category-collective","category-junotdiaz","category-michaelsilverblatt","category-reading","tag-audio","tag-collective","tag-junotdiaz","tag-michaelsilverblatt","tag-reading"],"_links":{"self":[{"href":"https:\/\/futureofthebook.org\/blog\/wp-json\/wp\/v2\/posts\/1108","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/futureofthebook.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/futureofthebook.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/futureofthebook.org\/blog\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/futureofthebook.org\/blog\/wp-json\/wp\/v2\/comments?post=1108"}],"version-history":[{"count":0,"href":"https:\/\/futureofthebook.org\/blog\/wp-json\/wp\/v2\/posts\/1108\/revisions"}],"wp:attachment":[{"href":"https:\/\/futureofthebook.org\/blog\/wp-json\/wp\/v2\/media?parent=1108"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/futureofthebook.org\/blog\/wp-json\/wp\/v2\/categories?post=1108"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/futureofthebook.org\/blog\/wp-json\/wp\/v2\/tags?post=1108"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}