Great script for Vimeons to remake…. hmmm.. Suggest it to Jakob won’t you… but then who is the new Jimmy Stewart… fuck that… who will be Kate?

Run For The Roses from Alex Itin on Vimeo

Once I saw the changing of command on the USS Pittsburgh at Grotton, CT with my brother from a Bolex mother. When The Captain leaves the ship they blow a dog whistle and say: “Pittsburgh going Ashore.” It is as if the soul of the boat has left the boat. When The new Captain walks the gangplank, the dog whistle is blown in opposite progression and the Ensign speaks these magic jazz hand words: “Pittsburgh Coming Aboard!” and it is as if the boat is born again.

Me and Pat call melady Young Pas (or green onion in Korean, or Sly to the Midwesterners or Sylvie to you… etc.): Pittsburgh. She is the Captain my Captain. She is the queen of that little steel Swiss, but rusting Town in the middle of the Eastern Sea Board. I was throwing out all my old clothes yesterday and getting rid of all the wire and plastic hangers… nothing but wood is good quoath Pittsburgh and I concurred while wearing the buddhist Stettson and the silk guns and the Star Wars blasters still in the a tiny casket to be burried by the IRA somwhere beside the river Liffey. I tripped and fell upon a Bazooka shell full of old memories of Pittsburgh’s youth and there were steller shots of her as Stella amongst the stars and my street car named desire and some calling cards from old beaux and a shot of her leaning away from a dire wolf… him stealling kisses and trying to eat her heart out and I realize it is good to walk with pax but always have silk guns in a silk casket somewhere… the silent big stick as the Church on the Hill said, or was it The Mac daddy Author, or Ike? Yes Ike who I like if only because he said, “Beware the military industrial complex”… The king can speak the truth, but the wolves are still there… stealing kisses, and hearts, and gold, and souls.

I became quite green with jealousy looking at the explosive contents of the shell… and then I found a receipt for the first futon we ever shared and a letter I wrote to fair Pittsburgh in Pittsburgh when I was in the Tower of Pain and hats and song. It was not the most regal of things… a manic all night scrawl on yellow legal paper… but you know what? It was really a very romantic letter. It brought a single tear to my eye that dropped into the vast Atlantic… How can a shell hold such wealth I thought? For in that moment I realized that this was a contract signed thirteen years ago… So Why has it taken me so long to honor it and honor fair Pittsburgh?

… Because you see, I have been hiding in plain sight, playing the fool on the hill. Now it is time to wear the purple robes and take the crown that is mine. Today Pittsburgh. Tomorrow the world. It is my job to be her knight in shining armor coming to her emotional rescue on a fine Arab charger. It is my job to keep the dire wolves at bay. Hail Pittsburgh hail the Queen.

I was at Freddy’s the night Sly Fox left for Las Vegas and I gave two guys my moleskin and said, “Make me a drawing, buy me a beer…sort of as a joke…and I went outside to smoke… when I got back they had drawn this and bought me a magic hat #9… it is names of the superbowl champion (two years in a row) Steelers from the seventies when I used to wear the black and gold slicker to protect me from the hard rain…. Coin see dances coincidences…. They were Pittsburgher… friends from many moons ago… reunited in the city on a drunkes Spree… fiddle di di.

This is more or less a birthday gift to myself. I’ve been drawing it on every page of Moby Dick (using two books to get both sides of each page) for months. The soundtrack is built from searching “moby dick” on You Tube (I was looking for Orson’s Preacher from the the John Huston film), I couldn’t find the preacer, but you find tons of Led Zep and drummers doing Bonzo and a little Orson reading from the Novel for a failed Italian T.V. film…… makes for a nice Melville in the end.

Cinqo de Mayo I turn Forty. Ahhhhhhh the French Champagne.

The flukes flapping in this manner, makes me think that M. Tristan is about to launch into a discourse on French Indochina and Diem Bien Phu and the sixties in general. It might sound something like Apocalypse Now Redux’s Plantation scene, or one of countless discussions I’ve had with French men over the years who are old enough, or interested enough to remember that history.