Category Archives: The Ideal Device?

vive le interoperability!

ipodmagritte.jpg A smart column in Wired by Leander Kahney explains why France’s new legislation prying open the proprietary file format lock on iPods and other entertainment devices is an important stand taken for the public good:

French legislators aren’t just looking at Apple. They’re looking ahead to a time when most entertainment is online, a shift with profound consequences for consumers and culture in general. French lawmakers want to protect the consumer from one or two companies holding the keys to all of its culture, just as Microsoft holds the keys to today’s desktop computers.

Apple, by legitimizing music downloading with iTunes and the iPod, has been widely credited with making the internet safe for the culture industries after years of hysteria about online piracy. But what do we lose in the bargain? Proprietary formats lock us into specific vendors and specific devices, putting our media in cages. By cornering the market early, Apple is creating a generation of dependent customers who are becoming increasingly shackled to what one company offers them, even if better alternatives come along. France, on the other hand, says let everything be playable on everything. Common sense says they’re right.
Now Apple is the one crying piracy, calling France the great enabler. While I agree that piracy is a problem if we’re to have a functioning cultural economy online, I’m certain that proprietary controls and DRM are not the solution. In the long run, they do for culture what Microsoft did for software, creating unbreakable monopolies and placing unreasonable restrictions on listeners, readers and viewers. They also restrict our minds. Just think of the cumulative cognitive effect of decades of bad software Microsoft has cornered us into using. Then look at the current ipod fetishism. The latter may be more hip, but they both reveal the same narrowed thinking.
One thing I think the paranoid culture industries fail to consider is that piracy is a pain in the ass. Amassing a well ordered music collection through illicit means is by no means easy — on the contrary, it can be a tedious, messy affair. Far preferable is a good online store selling mp3s at reasonable prices. There you can find stuff quickly, be confident that what you’re getting is good and complete, and get it fast. Apple understood this early on and they’re still making a killing. But locking things down in a proprietary format takes it a step too far. Keep things open and may the best store/device win. I’m pretty confident that piracy will remain marginal.

video ipod

ipod black.jpg
Looks like it’s hardware day at if:book. Just got a video iPod. Hmmm. this looks like another niche where Apple has handily beat Sony. the image is crisper and larger than i expected; the case is slimmer and lighter.
it’s remarkably easy to convert video files to MP4 and load them onto the iPod. the experience is intimate . i’m experimenting with different genres, poetry, animation, family home video, short films. everything works. the iPod got handed around from ben to dan to ray to jesse. we came up with a bunch of ideas for projects we want to try. stay tuned.

first sighting of sony ebook reader

this is a late addition to this post. i just realized that whatever the strengths and weaknesses of the Sony ebook reader, i think that most of the people writing about it, including me, have missed perhaps the most important aspect — the device has Sony’s name on it. correct me if i’m wrong, but this is the first time a major consumer electronics company has seen fit to put their name on a ebook reader in the US market. it’s been a long time coming.
Reuters posted this image by Rick Wilking. every post i’ve seen so far is pessimistic about sony’s chances. i’m doubtful myself, but will wait to see what kind of digital rights management they’ve installed. if it’s easy to take
SonyBookReader.jpg
things off my desktop to read later, including pdfs and web pages, and if the MP3 player feature is any good they might be able to carve out a niche which they can expand over time if they keep developing the concept. i do wish it were a bit more stylish . . .
here’s a link to ben’s excellent post ipod for text.

no more shrek figures with your fries: Disney wants to digitize and serialize the happy meal giveaway

2004_08_food_happy_meal_25_box.gif A Dec 6th article in New Scientist notes that patents filed by Disney last April reveal plans to drip-feed entertainment into the handheld video players of children eating in McDonalds. The patent suggests that instead of giving out toys with Happy Meals, McDonalds might provide installments of a Disney tale: the child would only get the full story by coming back to the restaurant a number of times to collect all the installments. Here’s some text from the patent:
…the downloading of small sections or parts of content can be spread out over a long period of time, e.g., 5 days. Each time a different part of the content, such as a movie, is downloaded, until the entire movie is accumulated. Thus, as a promotional program with a venue, such as McDonald’s.RTM. restaurant, a video, video game, new character for a game, etc., can be sent to the portable media player through a wireless internet connection… as an alternative to giving out toys with Happy Meals or some other promotion. The foregoing may be accomplished each time the player is within range of a Wi Fi or other wireless access point. The reward for eating at a restaurant, for example, could be the automatic downloading of a segment of a movie or the like…
nell.jpg
Hmm. Some small issues to be worked through here — like identifying that elusive target market of parents willing to hand their child a video ipod while he or she is eating a cheeseburger and fries. But if this is a real direction for the future, what might it portend? Will Disney tales distributed on the installment plan capture the interest of children as much as small plastic figurines representing the main characters of their latest Disney experience? And what’s ultimately better for the development of a young imagination, a small plastic Shrek or five minutes from a mini-Shrek video (the choice of “neither” is not an option here)? Can we imagine such a distribution method returning us to the nineteenth-century serialization manial prompted by Dicken’s chapter-by-chapter account of the death of Little Nell?
image: the death of little nell from Dicken’s The Old Curiosity Shop, 1840

the fly — a hundred dollar “pentop” for the overdeveloped world

flypen.jpg Two products that will most likely never be owned by the same teenager: The hundred dollar Laptop from MIT and the hundred dollar “pentop” computerized pen called the Fly. While the hundred dollar laptop (as we’ve said a few times on this site already) is promoted as a device to bring children of underdeveloped countries into the silicon era, the Fly is a device that will help technology-saturated 8 to 14 year olds keep track of soccer practice, learn to read, and solve arithmetic equations. Equipped with a microphone and OCR software, the Fly will read aloud what you write: if you use the special paper that comes with the product, you can draw a calculator and the calculator becomes functional. It’s all very Harold and the Purple Crayon .
In his review of the Fly’s capabilities in todays New York Times, David Pogue is largely enthusiastic about the device, finding it both practical and appealing (if a tad buggy in its original version). Most of all, he seems to think the Fly’s too-cool-for-school additional features are necessary innovation in a market that he says has begun to dry up — digital educational products for children. According to Pogue:
When it comes to children’s technology, a sort of post-educational age has dawned. Last year, Americans bought only one-third as much educational software as they did in 2000. Once highflying children’s software companies have dwindled or disappeared. The magazine once called Children’s Software Review is now named Children’s Technology Review, and over half of its coverage now is dedicated to entertainment titles (for Game Boy, PlayStation and the like) that have no educational component.
If Pogue is right, and educational software is on its way out, does this mean that everything has moved over to the web? And what implication does this downturn have for the hundred dollar laptop project?

a future written in electronic ink?

Discussions about the future of newspapers often allude to a moment in the Steven Spielberg film “Minority Report,” set in the year 2054, in which a commuter on the train is reading something that looks like a paper copy of USA Today, but which seems to be automatically updating and rearranging its contents like a web page. This is a comforting vision for the newspaper business: reassigning the un-bottled genie of the internet to the familiar commodity of the broadsheet. But as with most science fiction, the fallacy lies in the projection of our contemporary selves into an imagined future, when in fact people and the way they read may have very much changed by the year 2054.
eink paper.jpg Being a newspaper is no fun these days. The demand for news is undiminished, but online readers (most of us now) feel entitled to a free supply. Print circulation numbers continue to plummet, while the cost of newsprint steadily rises — it hovers right now at about $625 per metric ton (according to The Washington Post, a national U.S. paper can go through around 200,000 tons in a year).
Staffs are being cut, hiring freezes put into effect. Some newspapers (The Guardian in Britain and soon the Wall Street Journal) are changing the look and reducing the size of their print product to lure readers and cut costs. But given the rather grim forecast, some papers are beginning to ponder how other technologies might help them survive.
Last week, David Carr wrote in the Times about “an ipod for text” as a possible savior — a popular, portable device that would reinforce the idea of the newspaper as something you have in your hand, that you take with you, thereby rationalizing a new kind of subscription delivery. This weekend, the Washington Post hinted at what that device might actually be: a flexible, paper-like screen using “e-ink” technology.
An e-ink display is essentially a laminated sheet containing a thin layer of fluid sandwiched between positive and negative electrodes. Tiny capsules of black and white pigment float in between and arrange themselves into images and text through variance in the charge (the black are negatively charged and the white positively charged). Since the display is not light-based (like the electronic screens we use today), it has an appearance closer to paper. It can be read in bright sunlight, and requires virtually no power to maintain an image.
PolymerVision-readius-in-hand-13016.jpg Frank Ahrens, who wrote the Post piece, held a public online chat with Russ Wilcox, the chief exec of E Ink Corp. Wilcox predicts that large e-ink screens will be available within a year or two, opening the door for newspapers to develop an electronic product that combines web and broadsheet. Even offering the screens to subscribers for free, he calculates, would be more cost-efficient than the current paper delivery system.
A number of major newspaper conglomerates — including The Hearst Corporation, Gannett Co. (publisher of USA Today), TOPPAN Printing Company of Japan, and France’s Vivendi Universal Publishing — are interested enough in the potential of e-ink that they have become investors.
But maybe it won’t be the storied old broadsheet that people crave. A little over a month ago at a trade show in Berlin, Philips Polymer Vision presented a prototype of its new “Readius” — a device about the size of a mobile phone with a roll-out e-ink screen. This, too, could be available soon. Like it or not, it might make more sense to watch what’s developing with cell phones to get a hint of the future.
But even if electronic paper catches on — and it seems likely that it, or something similar, will — I wouldn’t count on it to solve the problems of the print news industry. It’s often tempting to think of new technologies that fundamentally change the way we operate as simply a matter of pouring old wine into new bottles. But electronic paper will be a technology for delivering the web, or even internet television — not individual newspapers. So then how do we preserve (or transfer) all that is good about print media, about institutions like the Times and the Post, assuming that their prospects continue to worsen? The answer to that, at least for now, is written in invisible ink.

an ipod for text

tt55_top_01.jpg
When I ride the subway, I see a mix of paper and plastic. Invariably several passengers are lost in their ipods (there must be a higher ipod-per-square-meter concentration in New York than anywhere else). One or two are playing a video game of some kind. Many just sit quietly with their thoughts. A few are conversing. More than a few are reading. The subway is enormously literate. A book, a magazine, The Times, The Post, The Daily News, AM New York, Metro, or just the ads that blanket the car interior. I may spend a lot of time online at home or at work, but on the subway, out in the city, paper is going strong.
Before long, they’ll be watching television on the subway too, seeing as the latest ipod now plays video. But rewind to Monday, when David Carr wrote in the NY Times about another kind of ipod — one that would totally change the way people read newspapers. He suggests that to bounce back from these troubled times (sagging print circulation, no reliable business model for their websites), newspapers need a new gadget to appear on the market: a light-weight, highly portable device, easy on the eyes, easy on the batteries, that uploads articles from the web so you can read them anywhere. An ipod for text.
This raises an important question: is it all just a matter of the reading device? Once there are sufficient advances in display technology, and a hot new gadget to incorporate them, will we see a rapid, decisive shift away from paper toward portable electronic text, just as we have witnessed a widespread migration to digital music and digital photography? Carr points to a recent study that found that in every age bracket below 65, a majority of reading is already now done online. This is mostly desktop reading, stationary reading. But if the greater part of the population is already sold on web-based reading, perhaps it’s not too techno-deterministic to suppose that an ipod-like device would in fact bring sweeping change for portable reading, at least periodicals.
But the thing is, online reading is quite different from print reading. There’s a lot of hopping around, a lot of digression. Any new hardware that would seek to tempt people to convert from paper would have to be able to surf the web. With mobile web, and wireless networks spreading, people would expect nothing less (even the new Sony PSP portable gaming device has a web browser). But is there a good way to read online text when you’re offline? Should we be concerned with this? Until wi-fi is ubiquitous and we’re online all the time (a frightening thought), the answer is yes.
We’re talking about a device that you plug into your computer that automatically pulls articles from pre-selected sources, presumably via RSS feeds. This is more or less how podcasting works. But for this to have an appeal with text, it will have to go further. What if in addition to uploading new articles in your feed list, it also pulled every document that those articles linked to, so you could click through to referenced sites just as you would if you were online?
It would be a bounded hypertext system. You could do all the hopping around you like within the cosmos of that day’s feeds, and not beyond — you would have the feeling of the network without actually being hooked in. Text does not take up a lot of hard drive space, and with the way flash memory is advancing, building a device with this capacity would not be hard to achieve. Of course, uploading link upon link could lead down an infinite paper trail. So a limit could be imposed, say, a 15-step cap — a limit that few are likely to brush up against.
So where does the money come in? If you want an ipod for text, you’re going to need an itunes for text. The “portable, bounded hypertext RSS reader” (they’d have to come up with a catchier name –the tpod, or some such techno-cuteness) would be keyed in to a subscription service. It would not be publication-specific, because then you’d have to tediously sign up with dozens of sites, and no reasonable person would do this.
So newspapers, magazines, blogs, whoever, will sign licensing agreements with the tpod folks and get their corresponding slice of the profits based on the success of their feeds. There’s a site called KeepMedia that is experimenting with such a model on the web, though not with any specific device in mind (and it only includes mainstream media, no blogs). That would be the next step. Premium papers like the Times or The Washington Post might become the HBOs and Showtimes of this text-ripping scheme — pay a little extra and you get the entire electronic edition uploaded daily to your tpod.
sony librie.jpg As for the device, well, the Sony Librie has had reasonable success in Japan and will soon be released in the States. The Librie is incredibly light and uses an “e-ink” display that is reflective like paper (i.e. it can be read in bright sunlight), and can run through 10,000 page views on four triple-A batteries.
The disadvantages: it’s only black-and-white and has no internet connectivity. It also doesn’t seem to be geared for pulling syndicated text. Bob brought one back from Japan. It’s nice and light, and the e-ink screen is surprisingly sharp. But all in all, it’s not quite there yet.
There’s always the do-it-yourself approach. The Voyager Company in Japan has developed a program called T-Time (the image at the top is from their site) that helps you drag and drop text from the web into an elegant ebook format configureable for a wide range of mobile devices: phones, PDAs, ipods, handheld video games, camcorders, you name it. This demo (in Japanese, but you’ll get the idea) demonstrates how it works.
Presumably, you would also read novels on your text pod. I personally would be loathe to give up paper here, unless it was a novel that had to be read electronically because it was multimedia, or networked, or something like that. But for syndicated text — periodicals, serials, essays — I can definitely see the appeal of this theoretical device. I think it’s something people would use.

this laptop costs $100

928laptop550x413.jpg
MIT has released some new images of its $100 laptop prototype, of which it hopes to have 5 to 15 million test units within the year. The laptops are much more durable than your average commercial machine, can be used as writing tablets or rotated 90 degrees as ebooks, and run on Linux – 100% free software. The idea is for the machines to provide a platform for an open source education movement throughout the South – a major hack of the current global order.
I love the hand cranks on the side, a backup charging option for remote or poorly provided areas where there is little or no electricity.
(“The $100 laptop moves closer to reality” in CNET)
928instructions550x413.jpg

flash memory: “the digital paper age”?

Heads are spinning in response to Samsung’s planned release of a 16 gigabyte flash drive – a string of eight 2GB flash memory cards. Flash memory is solid state data storage, as opposed to the conventional hard drive, which contains spinning mechanical parts. The implication is that the price of memory for computers will soon drop dramatically, as will the amount of energy used to power them. Moreover, you will be able to carry millions upon millions of pages on something the size of a keychain (people will probably start using smaller ones as business cards before too long). There’s definitely something reassuring about the solidity – to rely entirely on a single, rickety hard drive, or a network, to store documents is incredibly risky and unreliable. Plus, these cards are far more tolerant of shocks, bad weather and all around abuse.
Chosun Ilbo describes the remarks of Hwang Chang-gyu, Samsung’s chief executive, who said:

…the development signaled the opening of the “digital paper age.” “In the same way that civilization rapidly progressed after paper was invented 2,000 years ago, flash memory will serve as the ‘digital paper’ to store all kind of information from documents to photos and videos in the future. Mobile storage devices like CDs and hard disks will gradually disappear over the next two or three years, and flash memory will dominate the information age.”

convergence sighting: ipod phone

rokr160.jpg The Motorola ROKR, a new iTunes-compatible cellphone developed for Apple, hits the stores today for Cingular subscribers. The phone will run for $249.99 and can load up to 100 songs from a computer through a USB wire. Sounds like a rip-off to me, but indicative of things to come. It also comes equipped with a camera. The cellphone is steadily swallowing up all personal media.
Apple also unveiled its newest iPod, the “nano,” which uses solid flash memory (like in little USB memory sticks) rather than a hard drive with moving parts. It’s roughly the size of a half dozen business cards stacked together, and can hold up to 1,000 songs.