Category Archives: lit

creative versioning project

“I don’t have a single early draft of any novel or story. I just ‘saved’ over the originals until I reached the final version. All there is is the books themselves.” – Zadie Smith
This is a call (re-published from the Electronic Literature Organization) for writers to participate in a creative versioning project, hopefully to begin this winter:

Matthew Kirschenbaum is looking for poets and fiction writers willing to participate in a project to archive versions of texts in progress. An electronic document repository (known as a Concurrent Versions System, or CVS) will be used to track revisions and changes to original fiction and poetry contributed by participating writers who will work by checking their drafts in and out of the repository system. The goal is to provide access to a work at each and every state of its composition and conceptual evolution — thereby capturing the text as a living, dynamic object-in-the-making rather than a finished end-product. A reader will be able to watch the composition process unfold as though s/he were looking over the writer’s shoulder.

For guidelines and contact info, visit ELO.

podcast: discussing neil postman’s “building a bridge to the 18th century”

book_building_a_bridge.jpg (Annotated audio recordings of this discussion appear further down.)
On the dedication page of “Building a Bridge to the 18th Century,” Neil Postman quotes the poet Randall Jarrell:

Soon we shall know everything the 18th century didn’t know, and nothing it did, and it will be hard to live with us.

Though often failing to provide satisfying answers, Postman asks the kind of first-order questions one hears all too infrequently at a time when technology’s impact on our social, political and intellectual lives grows ever more profound. Postman has been accused of deep reactionism toward technology, and indeed, his hostility toward computers and telecommunications betrays an elitism that discredits some of his larger, and quite compelling observations.
In spite of this, Postman’s diagnosis is persuasive: that the idea of technological progress bequeathed by the Enlightenment has detached from reason and become a runaway train, that we are unquestioningly embracing new technologies that unleash massive change on our family and communal life, our democracy, and our capacity to think critically. We have stopped asking the single most important question that should be applied to all new technological innovations: does this technology solve a problem? If so, then at what cost? To whose benefit? And at whose expense?
Postman portrays the contemporary West as a culture without a narrative, littered with the shards of broken ideologies – depressed, unmotivated, and therefore uncritical of the new technologies that are foisted upon it by a rapacious capitalist system. The culprit, as he sees it, is postmodernism, which he lambasts (rather simplistically) as a corrosive intellectual trend, picking at the corpse of the Enlightenment, and instilling torpor and malaise at all levels of culture through its distrust of language and dogged refusal to accept one truth over another. This kind of thinking, Postman argues, is seductive, but it starves humans of their inspiration and sense of purpose.
To be saved, he goes on, and to build a better future, we would do well to look back to the philosophes of 18th century Europe, who, in the face of surging industrialization, defined a new idea of universal rational humanism – one that allowed for various interpretations within its fold, was rigorously suspicious of religious or any other kind of dogma, and yet gave the world a sense of moral uplift and progress. Postman does not suggest that we copy the 18th century, but rather give it careful study in order to draw inspiration for a new positive narrative, and for a reinvigoration of our critical outlook. This, Postman insists, offers us the best chance of surviving our future.
Postman’s note of alarm, if at times shrill, is nonetheless a refreshing antidote to the techno-optimism that pervades contemporary culture. And his recognition of our “crisis in narrative” – a formulation borrowed from Vaclav Havel – is dead on.
September 19: Bob, Dan, Kim, and Ben discuss Postman’s book at our new Brooklyn office (special prize if you pick out the sound of the ice cream truck passing by).
1. Bob’s preface – thoughts about how we do business at the institute (1:56) (download)

2. Ben’s first impressions – childhood under threat… Dan’s first impressions into discussion – a Clinton-era book, sets up a rather straw man caricature with the postmodernists, but society’s need for a narrative is compelling – why the Christian right has done so well… Postman seems to be assuming that progress is a law, that there is a directed narrative to history – problems with how he treats evolution. (6:43) (download)

3. Bob: Postman is much better at identifying problems than at coming up with solutions. Which is what makes him compelling. His stance is courageous. People assume with technology that just because something can be done it should be done. This is a tremendous problem – an affliction. If you could go back in time and be the inventor of the automobile, would you do it? People get angry at the responsibility this question imputes to them. How can we put these big questions at the center of our work? (13:34) (download)

4. Another big question… “An electronic community is only a simulation of a real community”? Flickr, Friendster, Howard Dean campaign? What is the vehicle for talking about this? What format is best for engaging these questions? Looking for new forms that illuminate or activate the questions. (15:43) (download)

5. Where/who are the public intellectuals today? [The ice cream truck passes by.] Strange bifurcation of the intellectual elite – many of the best-educated people most able to deal with abstraction make their living producing popular media that controls society. (10:07) (download)

6. Is capitalism the problem? Postman’s bias: written language will never be surpassed in its power to deal with abstract thought and cultivation of ideas. But we are arguably past the primacy of print. What is our attitude toward this? (9:39) (download)

7. What opportunities for reflection do different media afford? Films on DVD can be read and reread like a book – the viewer controls, rather than being controlled – a possibility for reflection not available in broadcast. What is the proper venue for discussing this? Capitalism is the 800 lb. gorilla in the room. How do we create, if not a mass agitation, then at least a mass discussion? Tie it to the larger pressing problems of the world and how they will be better addressed by certain forms of discourse and reflection. Averting ecological catastrophe as one possible narrative – an inspiring motivator that will get people moving. How do find our way back into history? (10:09) (download)

8. What should we read next as counterpoint/antidote to Postman? The Matrix – are we headed that way? (12:33) (download)

9. How do we organize new kinds of debates about technology and society? Other issues to be addressed – class, race and gender inequality. (11:26) (download)

“the minotaur project” featured at ELO

Kim’s hypermedia poem cluster, “The Minotaur Project,” is currently featured at the Electronic Literature Organization. Highly recommended.

“bringing karaoke to literature”

china mini novel.jpg
Shanghai Daily reports on a Chinese “mini novel” contest where writers submit bite-sized narratives (350 words or less) by text message.

Commenting on the contest, well-known writer Yu Hua says: “To hold the competition is like bringing ‘karaoke’ to literature. Before the invention of karaoke, there were only few people who could or would sing in public. Thanks to karaoke, anyone and everyone can sing in public whenever they feel like it. Now, thanks to the mobile phone, the same is true with writing.

The karaoke analogy is apt, and a bit scary.
(via textually)

“In the dark woods, on the sodden ground, I found my way only by the white of his collar.”

Someone is blogging Kafka’s diaries, from 1910 to 1923. They’re still in the first year. Either it started recently, or lost steam early at some undetermined date (the editor has opted to remove datelines from posts). Any dates added by Kafka himself are of course retained. Archives are organized by year within the span of the diaries.
I subscribed to the feed to see if it keeps updating (they’re using a recent version of Movable Type – more recent than ours – so I bet things are active). It could be a nice way to read these.
There’s also a blog of the diary of Samuel Pepys, which seems to have been chugging along for about two years. A nice touch is that instead of comments they have “annotations.” A quick glance reveals that quite a number of people are participating in this reading.
update: Another good book blogging experiment worth checking out is Bryan Alexander‘s Dracula Blogged – “Bram Stoker’s vampire novel, published by its own calendar” – which will conclude sometime in November. A particularly clever choice, since Dracula is largely written in letters and journal entries.